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Marie-Cris

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PostPosted: Wed Feb 06, 2008 3:18 am


heart ... Autumn leaves fall and are swept out of sight ...


Title: The Platinum Collection

By: David Bowie

Year’: (of release) 2005

Genre: Glam Rock

Summery: The Platinum Collection is a 3-disc album comprised of three albums that can be bought individually: The Best of David Bowie 1969 / 1974 (purple), The Best of David Bowie 1974 / 1979 (blue) and The Best of David Bowie 1980 / 1987 (orange), each with an approximate of 20 tracks per disc ((more accurately, 20 on purple, 19 on blue and 18 on orange)). As the title suggests, these discs do contain "the best" – or in my opinion, those that are more known and mainstream –hits of David Bowie, from The Jean Genie, to Sound and Vision, to Let’s Dance; all the popular tracks we grew up with are in this collection.

Being world renound, very few can say they have never heard of David Bowie or heard any of his songs; shows like Daria (series), A Knight's Tale (film), School of Rock (series with Gene Simmons), Zoolander (film) and Extras (series) have all contained Bowie songs at one point or another – even David Bowie himself! His music is used so often that some are surprised when they realise that some of the songs they grew up listening to were all done by the same artist!

This was the case for me, I admit. Growing up, songs like Ashes to Ashes, China Girl, Rebel Rebel, Under Pressure and Sorrow were always playing on the lunch-time radio. Not having the fortune of growing up in the 60s, 70s and 80s, I didn't come to realise who David Bowie was until somewhere in the mid 90s. Still, it was refreshing to know that all my childhood songs would be easier to track down. Most are catchy, many are meaningful, and some are slightly confusing when first listened to ((if you do not know the meaning behind the songs, at least)). The fact remains that here is an album with the majority of Bowie’s classics rolled up into one, and anyone new to Bowie would be bound to go through some Changes upon hearing their childhood favourites in the mix.

Rating: Kiss, darling. It's the absolute Must Have album for anyone seeking to introduce themselves to the works of David Bowie, as well as for Areaologists who just want to collect as many of his albums as possible.


... So are the memories of love that we knew ... heart
 
PostPosted: Wed Feb 06, 2008 3:27 am


heart ... Autumn leaves fall and are swept out of sight ...


Title: Under the Stars

By: Renée Fleming and Bryn Terfel

Year’: 2003

Genre: Musical (numbers)

Summery: What is it about American sopranos that irks me the most? Their sticky-bun voices. Their try-too-much technique. I’m sorry, but despite all the praise women like Renée Fleming have received for their singing, I find that there are very few so-called professional American, operatic sopranos I can stand to listen to. They try to develop the round-tones of English so much that they all overshoot and make anyone with a trained ear and a compulsion to mimic technique feel as though in order to sing like that they must emit their stomach contents.

Sometimes I’m rather embarrassed by the phrase: “All Welsh men can sing.” Whilst I agree that everything in existence can sing ((for everyday is a composition in the show of life)), the common-place message of the phrase translates to: “All Welsh men can sing in a way that is pleasant for other people to listen to.” Not so for Bryn Terfel. One would think that with such a pleasant stereotype Bryn would at least try to sound as though he is speaking when he sings. As it is, with the similar case of Colm Wilkenson, Terfel overshoots with his vibrato ((not as much as Antonio Banderas, for that we must be at least grateful)), mainly aimed at the nose when pronouncing the vowels “a” and “i”.

Now that you know what I think of the singers, here’s what I think of the album:

Painful. Musical numbers are meant to sound like musical numbers, not arias; Fleming and Terfel seem to have missed the memo. In less than a minute into the first track – which happens to be Not While I’m Around from Sweeny Todd: The Demon Barber of Fleet Street – Fleming shows us that if you want to destroy a classic musical number, sing like a valkyrie. From Sweeny Todd to Ragtime, this deadly duo butcher hits both great and slightly obscure ((“not mainstream”)). The tempos become irregular part-way through songs, the arrangements are typical and at times dull, and not to mention the lyric changes made to make it sound as if the songs were written for them and not for a musical!

The only reason I put up with this album being on my laptop is because there are some songs on there that I’m considering singing with my singing partner, and theirs is the only rendition I have so far. If it wasn’t for that, I would immediately scrub all the tracks with no regrets.

Rating: Flick. Not even Bryn’s rendition of Stars is worth the effort.


... So are the memories of love that we knew ... heart
 

Marie-Cris

Salty Phantom

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Hazumu-san
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PostPosted: Tue Apr 20, 2010 9:14 am


Ouch, I will have to remember that Marie!
Reply
Marie's Classics (Post for The Phantom's Sake) Great Thread!!

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