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 Posted: Wed Jan 09, 2008 12:27 pm
Well some of us have to be grown up sometimes or else we can't succeed in the art industry. xD They'll tell you it's crap outright and make you redo it even if you've spent hours on end working on it.
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Posted: Thu Jan 10, 2008 3:11 am
Well its far from crap, so you'll succeed smile
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Posted: Thu Jan 10, 2008 11:59 am
Another update, fixed the neck a little and worked on the hair. I have to take a break from this for a few days cause of school. Gotta get my hm done first lol.
Things I will work on next time around:
Skin
Hair
Beginning texture of horns
anatmony placement
detail design of outfit like lace and things
Too bad I dont' have a big boobed friend for ref... oh wait... I do... *schemes*
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Posted: Thu Jan 10, 2008 1:05 pm
Her collarbones just look weird. Like, they don't join together like that in the middle, exactly.
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Posted: Thu Jan 10, 2008 1:54 pm
The Iconoclast Her collarbones just look weird. Like, they don't join together like that in the middle, exactly.
Exactly. You just need to look at some reference and fix that up and it will make a world of difference in that piece.
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Posted: Thu Jan 10, 2008 3:30 pm
I applaud the fact that you're going for broke with rendering the hair strand to strand, but I can't help but feel that going strand for stand may be overdoing it and also making the hair look flat overall. Maybe pull back on the areas that are in the shade for the most part, but thats a personal thought. Either way, you should boost the contrast on the hair immensely, it's really not holding the same value range as the rest of the subject (which could use some pushing, but not as much...).
Thats really all I can really point out at this point, any further and it starts to degrade into nitpickin....
LOVELY PIECE BY THE WAY
IF NOT FER OBVIOUS REASONS : D
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Posted: Thu Jan 10, 2008 4:28 pm
You know what would be a great idea for the hair? Show more detail in some areas than others. It will give you the illusion of highly rendered hair AND will make it less likely for the hair to distract from the over-all image. It could overpower everything with all that detail, but maybe not... it would just suck if you spent all that time on it only to realize you have to tone it down.
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Posted: Thu Jan 10, 2008 4:35 pm
That makes sense... I do tend to over do it and make it too chaotic in some of my pieces... lol... I guess I'm subconsciously afraid of empty spaces.
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Posted: Thu Jan 10, 2008 4:40 pm
In the highlights make it all detailed and let it fade out in the shadow. It'll probably help make her hair really silky looking too.
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