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I don't mean to interject. But is my second character (Just above Pad's) going to be accepted/rejected?

Pad: I don't want to approve puppeting at any type or foem. So I'm gonna say no to the puppeting, but yes to everything else. If you can find a way to manipulate your opponent without puppeting them then I will gladly accept that.

Shinmei: Accepted. Just watch how much healing you use and don't abuse the fact that you have two characters. That is all.

Pad: Honestly, if you can find a way to do this then you can keep that power but you must also realize that finding an opponent that fully understands all this will be difficult. Good luck to you. Accepted.

Oh. Just a thought. Can I still sap out their individuality? This requires a separate fight after being lulled into my partial control.

Okey dokey then. Thank you.

Yes, I know I already have two characters. I can handle three, and this guy won't be in Las Noches.

Name:
Sanmdi Buln (SAHN-um-dee BULN)

Number:
None, formerly 44

Aliases/ Nicknames:
Benedict

Physical Description:
Sanmdi is a short, thin Arrancar who wears what looks like thin strips of white cloth for a shirt and pants that have intricate gray swirls on them. There is absolutely no color on his body other than his hair, which is flame-orange and close-cropped to his skull. He has a long-thin scar on the left side of his face which starts at his jawline as a circular crater and ends in a switchback just above his left eye.

Zanpacto & Resurreccion:
Zanpakuto - Sanmdi's Zanpakuto is a long, thin blade with a darkish tint to the blunt curve. The blade as a whole is almost seven feet long, well taller than Sanmdi, but the sheath is only six inches, if that. No-one, not even Sanmdi, knows how this is possible or particularly cares. The handle is a hand-and-a-half length, with a strange curved symbol embossed on the butt of the handle.

Resurreccion - Play your tune on the Nerves of the World, Sinfónica de la locura! - (Symphony Insanity) - By slamming the butt of his sword's handle into his chest the symbol embossed on it is transferred to his skin and begins to spread. His body grows until he is roughly nine feet high and his limbs and digits elongate so that his fingers are as long as his arms. His extra fingers transform into two steel rods, slightly tapered, with wooden grips, each of them roughly five feet in length. The symbol leaves scars behind it in intricate whorls and curves. These grant him several additional benefits aside from the increased reach of his Release state.

Primera Sinfonía: Rondo maleficio - (First Symphony: Baleful Rondo) - The scars over Sanmdi's body make whistling noises when air passes over them. By channeling reiatsu through the air currents he can make the sounds caused by his movement create strange effects. Rondo Malefico causes anyone within earshot regardless of their race to believe that they are being stalked by some indiscriminately terrifying being. This is an effect that persists permanently after exposure or until the victim goes to sleep. The terror is not detrimental in any physical way, but it can be highly distracting and repeated exposure after multiple sleep cycles can cause severe and permanent paranoia. It is impossible for this ability to affect anyone who is deaf or who blocks their ears. That said, Sanmdi's body constantly creates this kind of noise while in his release state and it is likewise impossible to tell when he segues into a technique.

Segunda Sinfonía: Minueto Dolorosa - Second Symphony: Sorrowful Minuet - Similar in effect to the Primera Sinfonía, Minueto Dolorosa causes severe depression in the victim(s). The effects last only as long as the music continues. It is impossible for this ability to affect anyone who is deaf or who blocks their ears. That said, Sanmdi's body constantly creates this kind of noise while in his release state and it is likewise impossible to tell when he segues into a technique.

Tercera Sinfonía: Crescendo Desorientador - Third Symphony: Disorienting Crescendo - Employed when Sanmdi uses Sonido in his Released state, the high-pitched whistling sound caused by the rapid air movement over his scars causes vibrations deep in the inner ear, where equilibrium is controlled. Opponents who do not block their ears when this occurs will most likely fall prone or fall to their knees. Deaf opponents or opponents who cover their ears in time will still be extremely disoriented by the burst of sound, losing their sense of equilibrium and becoming extremely dizzy for several minutes afterwards. This ability affects all beings within earshot, regardless of whether they are able to hear under normal circumstances, as it does not work via the eardrum but via the semicircular canal in the inner ear. It is possible to predict that this attack is about to occur, but highly difficult, as one would have to react before the Sonido was completed.

Cuarta Sinfonía: Vals Catastrófico - Fourth Symphony: Catastrophic Waltz - By moving a single part of his body with the speed of a Sonido - for example, swinging his arm at that speed - the scars on Sanmdi's body cause the air to vibrate in a manner that breaks down the structural integrity of stone structures, projecting a sound wave in a straight line from the center of the movement directly away from Sanmdi. This ability is equivalent to one hundred pounds of TNT concentrated in an area roughly the size of a postage stamp. This ability can affect metal, fabric, and wood, but not flesh and bone. Unattended metal vibrates at a speed sufficient to loosen any rivets in the object. Metal weapons currently in an opponent's hand (such as swords) vibrate quickly enough to temporarily numb the hand of the wielder. Fabric is shredded, wood shatters. Human beings caught in the radius will experience a sensation like being simultaneously hit with a blast of wind and having a vibrating massager laid across their entire body.

Última Sinfonía: Muerte - Final Symphony: Death - By using the batons that his two extra fingers transform into to gouge into his flesh, Sanmdi can alter the tones produced by the scars on his body so that they cause instant death in anyone who hears them - including himself. He will not use this ability unless it is apparent that he will die regardless of his actions. This ability functions on a principle similar to the Fourth Symphony, but is designed to affect flesh and blood. The single tone released will cause all living beings within a quarter mile radius to immediately dissolve into their component materials, bones shattering and flesh ripping itself into hamburger. This includes all Hollows, Arrancar, Shinigami, humans, Quincy, Vizards, Bounts, and other beings.

Special Accessories:
N/A

Abilities:
Musical Specialist - Sanmdi composes music in his free time.
Complete Aural Control - Sanmdi is able to open or close his ears freely, completely blocking out all sound at will.
Vocal Skill - An essential skill given his Resurreccion, Sanmdi's vocal range exceeds nine octaves.

Personality:
Sanmdi lacks morals of any kind, observing at all times and using his abilities to terrorize other Hollows. He especially enjoys tormenting other Arrancar.

Biography/History:
(What made your character they way they are, how did their past shape them today?)

Powers:
(A list of powers your character has successfully mastered; remember that all Arrancar can perform basic hollow techniques. Besides listing those basic abilities, what other powers does your character possess?)

Role-Play Example:
(Write a short story of your character interacting with Aizen, Tosen, or Ichimaru.)

IN PROGRESS

I've created two Arrancar based on Drama, one a Spectre of Comedy, the other of Tragedy. Since they're meant to be RPed together in the first place, I thought I'd create a third one based around Music. Unlike Maguda and Danubi, who follow orders unquestioningly, Sanmdi never does anything he's asked, to the point that he's been kicked out of Las Noches.

Do I need to worry about a Role-play example? Seeing as I already am a Vice, and a member of Las?