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Gaia's world martial artist tournament that pits the best fighters against one another for the title of Gaia's Best! 

Tags: tenkaichi, budokai, battle, tournament 

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General Clash Warmaker

PostPosted: Tue Jun 06, 2006 3:17 pm


God, I love this part.

*Draws a name from the hat....*
PostPosted: Tue Jun 06, 2006 3:20 pm


Clash Kiddick
God, I love this part.

*Draws a name from the hat....*


Oohoohoohooh...be mine, be mine, be mine... *hops up and down*

Trei_Shouri


Tacitus

Codger

PostPosted: Tue Jun 06, 2006 3:21 pm


XD This is spectacular. >.>
PostPosted: Tue Jun 06, 2006 3:21 pm


Hey Clash! Thanks for Inviting me. .I am all for joining!

Unks


Tacitus

Codger

PostPosted: Tue Jun 06, 2006 3:23 pm


Yay! Unks! ^__^
PostPosted: Tue Jun 06, 2006 3:24 pm


neutral

Show me the CarFox


Unks

PostPosted: Tue Jun 06, 2006 3:28 pm


Hey Tac! How goes it!
PostPosted: Tue Jun 06, 2006 3:31 pm


Trei_Shouri
Ertai Vexic
Trei_Shouri
Ertai Vexic
Trei_Shouri
Ertai Vexic

Trei looks at his opponent, gauging the situation. Well, this was 'tarded looking...He can see by the man's eyes that the sand cloud had impacted, but the guy was just so friggin' apathetic that it didn't seem to matter.

With a shrug, Trei brings his blade down so that the flat of it falls across his shoulders, arcing his eyebrow to the man in front of him. "Lemme guess...I'm supposed to charge in, swing my sword wildly, and get myself ripped apart by that "armor" you're wearin', right?"



As the man started to think and make his next few actions, he would react sharply to the situation at hand. His right arm sliding behind as his left index and middle finger grasp the end of the left gladius hilt. The man at this time would be at the moment where he was bringing down his arm, this action would be braced forward by the sliding motion of his fingers and the snap direction of his wrist which would cause the blade to jolt out and down sharply while the arm was in an extension down and hooking up. The sword would slide hilt forward as the arm jerked towards his target. The blades hilt would shift inbetween the loose grasp which he hand and now turn with the blade extending towards the mans left arm in that motion. The hilt would hit its point of distance and the grasp upon the handle would change to a solid thumb index and bottom two grasp, thus giving it force and stability. This attack which aimed to the mans right arm would be aligned to where he would strike, and the point of striking was the mans section of arm right above the elbow area, this attack would cause a ridged break or snap in the bone if it would strike its target.

At the mans blade hit his shoulder and his attack was near the point of completion, his right arm which was shifting back behind, would grasp the bottom of the hilt of his second gladius. His elbow was facing out away from the body at a near fourty five degree angle, this position would give him a quick arching situation if he needed to block any sudden arm movements.

His right leg would shift to a point where his toes would be pressed forward and the heel was no more than three inches off of the ground. This stability was use for side shifts while keeping yourself in the same distance with in base combat. This would only be supported by the left leg which was arched out to the side and held the body up on the side of his foot which caused the knee to down lean and push forward.

His stance was made for a quick attack and quick draw back situations.



((simplification for my sake: As Trei's blade falls, Ertai suddenly slams the hilt of one of his Gladiuses forward, aiming to snap Trei's sword-arm at the elbow at the very moment when his blade would land would land. While performing this attack with one hand, Ertai brings his other hand down to the hilt of his second blade, shifting his weight and balance so as to allow for quick fight-or-flight))

Trei's eyes flash as the man starts to move, and luckily enough for our hero he is able to react WHILE bringing his sword down. How? He simply twists his body fourty-five degrees away from the man's strike and pushes off in a gentle, graceful leap, sliding to a stop several feet away as his blade falls to its intended rest.




His eyes would lock to the area of his opposition where the sword was being set down upon the mans shoulder. The attack he had sent when dealing with the speed to slice at the mans right arm with his left would be a feint and set his opposition up for the next set of actions. At the blade of his left gladius came to the point of impact his opposition would seem to quickly cut at an angle away from the attack, thus making this feint harmless and useless. With the reaction and his eyes on the foreground near the targets own sword he would push off of his right foot and cut into the area and footwork of his targets to render his targets movement or speed useless and keep him enclosed in base combat. His right leg would slide to the area in between his targets legs while having his left leg outside of his targets right leg, he would push his right leg in the center and bend down slightly to turn his leg around the back of his targets left leg and lock them closer. As he would do this his left hand blade would snap towards the outside of his hand, his index finger under the hilt and this would cause the blade to spin inside of his grasp and with the sudden pull back of his left arm it would cause the blade to slide on top of the hand and spin slightly while the arm was being pulled back. This manipulation of the blade was used to keep the blade in motion and shift the weight around to keep his movements fluid and crisp while he goes into the second tier of attacks.

His right hand when all the leg movement was happening would grasp the right hand blade's hilt and send it sliding out of the bottom. His right arm would come hooking around in one fluid motion as the blade dropped out of its sheath and into his fluid grasp, and with this hooking motion his target would start the attempt a leap of faith out of this base combat situation. His legs were in entrapment to prevent a accurate and safe jump away and now he was in base combat with duel weapons ready to strike. The right hand blade would come around at the mans back above the left shoulder, because the man shifted in a forty five degree angle his back would be exposed a little bit and that little bit would cause for this attack to take its chance. The blade inside of Ertai's grasp was that of a loose hand grasp with a rock palm to hit when the blade hits. This type of attack cause the point of the blade while tilted on a right diagonal to strike the flesh or area of bone and rip in, and when the point of impact comes the palm of the fighters hand will drill the rounded hilt and thus cause a sharp impact while sliding the hand off of the hilt into a grasp and thus the third damage section comes. His target could not foresee a block to this unless the target could some how bring his arm up to take the damage of the edge. This attempt at a jump or a clearance was met with this crude and complex attack.

As the right arm attacked and the man went to jump out of base combat management the left arm would come slicing back at the mans stomach area. The blade would spin on the top of his hand and come down sharply as the index and thumb caught it into place and gave birth to a grasp and the blade would come searing down towards the mans angled stomach, the position of his body would cause the body to be trapped with in a sinister scissor type of formation where his movement had been locked, his weapons were away from his defense and his body was open because of his targets lack of stance and defense placement. This left attack would cut the gut sack open and spill the insides out over the top of the stomach and cause massive internal bleeding thus killing his target.

He had locked his target in a death trap.

[Learn to understand the post. Learn to understand possible physics that you and your body can and cannot do. Learn to post in detailed descriptions where the position of your ******** thumb means life and or death.]


((Simplification for my sake: As Trei leans away from his slash, Ertai reacts accordingly to plan; he slides his right leg forward so that it rests between Trei's own legs, proceeding to twist it around and ATTEMPT to lock Trei's left leg in a bind. While doing this, he prepares both Gladiuses and, should his lock work, he brings the right around in an ATTEMPT to bury and twist the blade within his opponent's back. At the same time, he would ATTEMPT to slash deep into his opponent's stomach, which if it connects will cause severe internal damage and bleeding. ))

As the man swings in, Trei's good eye flares with inner light reminiscent of his first arrival to the battlefield. A voice in his head, himself five years ago; I will be the best... Seventeen again...He's not dead yet.

As the man's leg slides in between his own, Trei merely leaps straight up, four feet in the air and safely above the man's take-down, and performs his counter-strike; his sword whips around with the full strength of his coiled arm muscles behind it, a blurring wave of death that would arrive at his opponent's temple less than half a second after the beginning of its journey...

((Heh. I'm well aware of my own capabilities. You still have some stuff to learn yourself, I see.))





This kid is serious xD look at his post.

And to note

This was a no holds bar match with no powers and or abilities at all. He he is trying to jump away? Four feet right up? Look how choppy his posts are, no detail and no talent at all. Jesus Clash why do you have people like this in your tourny?


 

Ertai Vexic


Trei_Shouri

PostPosted: Tue Jun 06, 2006 3:35 pm


I say the same thing here I said to you in Pms;
Error 1: My character is a gymnast/acrobat in his fighting methods. He's designed to be able to leap/jump well. Legs tuck in when we jump like that, so his feet could very easily clear 4' off the ground.

Error 2: I interrupted your interrupt. So, then, my motions AREN'T cancelled

Error 3: My attack is happening AS I jump. You know, like all of your motions?

I'm just playing your game, without the victorian novel every post.

Edit-
Oh, by the by; you called me a modder? I count like, six autohits in your post.
PostPosted: Tue Jun 06, 2006 3:37 pm


<< >> Well then we seem to have two happy compeditors here. .lol I have no clue what is going on so I'll stay out of it. . 3nodding

Unks


Ertai Vexic

PostPosted: Tue Jun 06, 2006 3:37 pm


Trei_Shouri
Ertai Vexic
Trei_Shouri
Ertai Vexic
Trei_Shouri
Ertai Vexic
Trei_Shouri
Ertai Vexic

Trei looks at his opponent, gauging the situation. Well, this was 'tarded looking...He can see by the man's eyes that the sand cloud had impacted, but the guy was just so friggin' apathetic that it didn't seem to matter.

With a shrug, Trei brings his blade down so that the flat of it falls across his shoulders, arcing his eyebrow to the man in front of him. "Lemme guess...I'm supposed to charge in, swing my sword wildly, and get myself ripped apart by that "armor" you're wearin', right?"



As the man started to think and make his next few actions, he would react sharply to the situation at hand. His right arm sliding behind as his left index and middle finger grasp the end of the left gladius hilt. The man at this time would be at the moment where he was bringing down his arm, this action would be braced forward by the sliding motion of his fingers and the snap direction of his wrist which would cause the blade to jolt out and down sharply while the arm was in an extension down and hooking up. The sword would slide hilt forward as the arm jerked towards his target. The blades hilt would shift inbetween the loose grasp which he hand and now turn with the blade extending towards the mans left arm in that motion. The hilt would hit its point of distance and the grasp upon the handle would change to a solid thumb index and bottom two grasp, thus giving it force and stability. This attack which aimed to the mans right arm would be aligned to where he would strike, and the point of striking was the mans section of arm right above the elbow area, this attack would cause a ridged break or snap in the bone if it would strike its target.

At the mans blade hit his shoulder and his attack was near the point of completion, his right arm which was shifting back behind, would grasp the bottom of the hilt of his second gladius. His elbow was facing out away from the body at a near fourty five degree angle, this position would give him a quick arching situation if he needed to block any sudden arm movements.

His right leg would shift to a point where his toes would be pressed forward and the heel was no more than three inches off of the ground. This stability was use for side shifts while keeping yourself in the same distance with in base combat. This would only be supported by the left leg which was arched out to the side and held the body up on the side of his foot which caused the knee to down lean and push forward.

His stance was made for a quick attack and quick draw back situations.



((simplification for my sake: As Trei's blade falls, Ertai suddenly slams the hilt of one of his Gladiuses forward, aiming to snap Trei's sword-arm at the elbow at the very moment when his blade would land would land. While performing this attack with one hand, Ertai brings his other hand down to the hilt of his second blade, shifting his weight and balance so as to allow for quick fight-or-flight))

Trei's eyes flash as the man starts to move, and luckily enough for our hero he is able to react WHILE bringing his sword down. How? He simply twists his body fourty-five degrees away from the man's strike and pushes off in a gentle, graceful leap, sliding to a stop several feet away as his blade falls to its intended rest.




His eyes would lock to the area of his opposition where the sword was being set down upon the mans shoulder. The attack he had sent when dealing with the speed to slice at the mans right arm with his left would be a feint and set his opposition up for the next set of actions. At the blade of his left gladius came to the point of impact his opposition would seem to quickly cut at an angle away from the attack, thus making this feint harmless and useless. With the reaction and his eyes on the foreground near the targets own sword he would push off of his right foot and cut into the area and footwork of his targets to render his targets movement or speed useless and keep him enclosed in base combat. His right leg would slide to the area in between his targets legs while having his left leg outside of his targets right leg, he would push his right leg in the center and bend down slightly to turn his leg around the back of his targets left leg and lock them closer. As he would do this his left hand blade would snap towards the outside of his hand, his index finger under the hilt and this would cause the blade to spin inside of his grasp and with the sudden pull back of his left arm it would cause the blade to slide on top of the hand and spin slightly while the arm was being pulled back. This manipulation of the blade was used to keep the blade in motion and shift the weight around to keep his movements fluid and crisp while he goes into the second tier of attacks.

His right hand when all the leg movement was happening would grasp the right hand blade's hilt and send it sliding out of the bottom. His right arm would come hooking around in one fluid motion as the blade dropped out of its sheath and into his fluid grasp, and with this hooking motion his target would start the attempt a leap of faith out of this base combat situation. His legs were in entrapment to prevent a accurate and safe jump away and now he was in base combat with duel weapons ready to strike. The right hand blade would come around at the mans back above the left shoulder, because the man shifted in a forty five degree angle his back would be exposed a little bit and that little bit would cause for this attack to take its chance. The blade inside of Ertai's grasp was that of a loose hand grasp with a rock palm to hit when the blade hits. This type of attack cause the point of the blade while tilted on a right diagonal to strike the flesh or area of bone and rip in, and when the point of impact comes the palm of the fighters hand will drill the rounded hilt and thus cause a sharp impact while sliding the hand off of the hilt into a grasp and thus the third damage section comes. His target could not foresee a block to this unless the target could some how bring his arm up to take the damage of the edge. This attempt at a jump or a clearance was met with this crude and complex attack.

As the right arm attacked and the man went to jump out of base combat management the left arm would come slicing back at the mans stomach area. The blade would spin on the top of his hand and come down sharply as the index and thumb caught it into place and gave birth to a grasp and the blade would come searing down towards the mans angled stomach, the position of his body would cause the body to be trapped with in a sinister scissor type of formation where his movement had been locked, his weapons were away from his defense and his body was open because of his targets lack of stance and defense placement. This left attack would cut the gut sack open and spill the insides out over the top of the stomach and cause massive internal bleeding thus killing his target.

He had locked his target in a death trap.

[Learn to understand the post. Learn to understand possible physics that you and your body can and cannot do. Learn to post in detailed descriptions where the position of your ******** thumb means life and or death.]


((Simplification for my sake: As Trei leans away from his slash, Ertai reacts accordingly to plan; he slides his right leg forward so that it rests between Trei's own legs, proceeding to twist it around and ATTEMPT to lock Trei's left leg in a bind. While doing this, he prepares both Gladiuses and, should his lock work, he brings the right around in an ATTEMPT to bury and twist the blade within his opponent's back. At the same time, he would ATTEMPT to slash deep into his opponent's stomach, which if it connects will cause severe internal damage and bleeding. ))

As the man swings in, Trei's good eye flares with inner light reminiscent of his first arrival to the battlefield. A voice in his head, himself five years ago; I will be the best... Seventeen again...He's not dead yet.

As the man's leg slides in between his own, Trei merely leaps straight up, four feet in the air and safely above the man's take-down, and performs his counter-strike; his sword whips around with the full strength of his coiled arm muscles behind it, a blurring wave of death that would arrive at his opponent's temple less than half a second after the beginning of its journey...

((Heh. I'm well aware of my own capabilities. You still have some stuff to learn yourself, I see.))




[ You need to post a proper dodge/counter for the situation at hand. There are no abilities or powers, we are fighting in base melee combat, and there is no logical way you are going to jump four feet straight into the air. You are also bringing into account that your attack would happen less than a second after your jump. The logic you do is far incorrect and is called modding.

Post properly, dont d**k around with me. Unless you want me to post you getting ripped down the center of your stomach because my left hand blade was going down at an angle, and thus I cancled your first jump attempt so you need to react to my blade comeing down and my blade coming around. If you wish to keep the post I will post that you die.]



((Error 1: My character is a gymnast/acrobat in his fighting methods. He's designed to be able to leap/jump well. Legs tuck in when we jump like that, so his feet could very easily clear 4' off the ground.

Error 2: I interrupted your interrupt. So, then, my motions AREN'T cancelled.

Error 3: My attack is happening AS I jump. You know, like all of your motions? ))




Error 1: There is no way someone can jump up straight into the air from a FULL STANDING position and clear 4 feet. Its not logical even if you are a gymnast or acrobat.

Error 2: The way you interrupt my interrupt was jumping into my attacks as they came forward, do you understand if you could jump like that and did you would be struck by my right blade in your lower back and my angle down attack towards your stomach would cut you even lower? Do you understand that?

Error 3: Your attack did NOT HAPPEN AT THE SAME TIME, because you posted you jumped up and than while in saftey you attacked. Thus you dont even know what the ******** you posted. All of my motions flow fluid and off each action they encounter, you're trying to post some odd a** bullshit and bring into the game "well uhhh my character is a gymnast and he can do it."

 
PostPosted: Tue Jun 06, 2006 3:40 pm


THIS IS A QUOTE TOWER

IT IS MADE OF RETARD AND IDIOCY

Shouyin


Shouyin

PostPosted: Tue Jun 06, 2006 3:42 pm


PS: Never argue against character stats.
That's a "Yes he can.", "No he can't.", "Yes he can." kind of argument.

And it will accomplish nothing.

If he can jump four feet he can jump four feet.
PostPosted: Tue Jun 06, 2006 3:42 pm


Trei_Shouri
I say the same thing here I said to you in Pms;
Error 1: My character is a gymnast/acrobat in his fighting methods. He's designed to be able to leap/jump well. Legs tuck in when we jump like that, so his feet could very easily clear 4' off the ground.

Error 2: I interrupted your interrupt. So, then, my motions AREN'T cancelled

Error 3: My attack is happening AS I jump. You know, like all of your motions?

I'm just playing your game, without the victorian novel every post.

Edit-
Oh, by the by; you called me a modder? I count like, six autohits in your post.




You're not playing any game you ******** moron. I have zero-autohits because you fail to understand and read the post correctly. Your lack of detail and attention will show that you are trying to relate things into combat with out posting it in character. You never said you were an acrobatic or a gymnast but as soon as the situation comes into effect you go "but but but I am a gymnast and I can jump straight into the air four feet with out crouching down."

Learn to fight before you ask to fight dip s**t. I ******** killed you in that post because your retarded a** tried to jump while my attacks come towards you.

Lesson to be learned: Never Jump or Flip while in melee combat, because the logical chance of you surviving or blocking is slim to none. And you will learn more of these lessons people if you join my gladiator style school.


Ertai Vexic


Ertai Vexic

PostPosted: Tue Jun 06, 2006 3:45 pm


Shouyin
PS: Never argue against character stats.
That's a "Yes he can.", "No he can't.", "Yes he can." kind of argument.

And it will accomplish nothing.

If he can jump four feet he can jump four feet.



Yeah thats why your as dumb as most of these mother ********. Because your skill when it comes to fighting is like his.

You cannot bring things into posting if you did not say it to begin with in the post before. He assumes he can do it because he assumed I knew he was a gymnast, because he assumed that I didnt need to see any details. In combat he is dead, as simple as that.

Like you even know what the ******** you're talking about Shou
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