|
|
|
|
|
|
|
 Posted: Mon Dec 11, 2006 10:52 pm
|
|
|
|
|
|
|
|
|
|
Posted: Mon Dec 11, 2006 10:54 pm
Dead, certainly.
BUT WILL HE BLEND?
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Mon Dec 11, 2006 10:54 pm
Fenrir Fenix Dead, certainly. BUT WILL HE BLEND? If a baseball bat will, he doesn't stand a chance.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Mon Dec 11, 2006 10:56 pm
Yeah, no s**t. I don't ever use a blender and I'm definitely getting one of those.
Hell that thing is their ENTRY LEVEL blender. Get me some high-powered industrial blending action.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Mon Dec 11, 2006 10:56 pm
Now children, can't we play nice?
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Mon Dec 11, 2006 10:57 pm
Rykono Tadaya Now children, can't we play nice? What're you lookin' at, shorty?
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Mon Dec 11, 2006 10:57 pm
I'm making COCHICKEN next time you're over, Kell. xd
And I'm sorry, h X c, but I'm tone-deaf and can't read music, so I won't be able to help you. Good rhythm does not help me in a music course.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Mon Dec 11, 2006 10:59 pm
haaaaa they refuse to blend a crowbar.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Mon Dec 11, 2006 11:00 pm
Anonymooo I'm making COCHICKEN next time you're over, Kell. xd I'm not sure I trust that. I'm not even sure how you say that.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Mon Dec 11, 2006 11:00 pm
My favorite is the marbles.
"Here, what's this smell like?"
"Blood. What is it?"
"Glass dust."
"OH GOD MY SINUSES"
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Mon Dec 11, 2006 11:01 pm
* Chills out and plays Saint's Row *
Oob - You'd of been proud of me today x3 I had my singing exam, and the accompaniest told me to keep singing and practicing because with a little more training she thinks I'd be good enough to do musical theatre. I just need to work up meh confidence T-T
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Mon Dec 11, 2006 11:03 pm
It's called inventing? Is that different from composing?
Analyzing one's own work sure sounds tricky. Is it like self-Freud or editing say, an essay, or novella?
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Mon Dec 11, 2006 11:04 pm
i like the oysters... dude spits the stuff right back out. i'm suprised he made it through the cochicken. marbles are next, then pens.
sierra> indeed, indeed, congrats. i'll see your name in lights~
mat> it's a type of composition. i don't get it, it doesn't explain anything about the method... inventions are wierd.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Mon Dec 11, 2006 11:06 pm
tonal areas, form, handling of consonance and dissonance... things like that. i'm making a reduction of the whole thing, and that's the hard part.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Mon Dec 11, 2006 11:09 pm
Ew, like an extreme physics lab write-up...
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reply
