Aww man... Rememberances... It sounds so much better on proper speakers, as does most of DQVIII's soundtrack
What's interesting to me is that a lot of people associate this song with Cursed Trodain, where in fact the first time you hear the theme is in Ascantha.
Though I can make an educated guess as to why people associate it with Cursed Trodain (as do I). Castle Trodain is quiet, and has no (animate) people. All that's there is the atmosphere, this song, and random battles. And the random battles are even less common. So you can really soak up the sorrow and atmosphere without anyone saying a single thing.
As for the piece itself, it is a fairly simple tune. I really think that on its own it isn't as powerful as it is with the corresponding scenery. Except for some key moments where I really feel the weight. I like that the first time, the tune is played with woodwinds, and while it is still a heavy tune it gets much heavier when the strings come in. Especially at 4:37 to 4:51. Lighter harp and Pizzicato on those low strings, followed by those violas coming in to really sell it. And whenever the horn comes in, I feel like someone is trying to carry on while in agony. CARRY ON!
Split between an 8 and a 9. I'll go with a 9, since I know what this song can really do.
Ninja'd. Gimmie a sec.
Spoilers in the comment section! So be careful if you happen to want to play Shadow of the Colossus really freaking badly and aw man why do I not own this game already
Oooh would you listen to those strings. The sinister repeating strings. I really like the higher viola melody. The sprinklings of flute and oboe. It crescendos and I feel like I'm inhaling. Then it decrescendos. When it pauses, I feel that something is wrong. A slight lift, and then it all goes wrong for sure.
And I don't mean the piece gets worse. The pattern that you had gotten used to is broken with an unnerving cello note and I feel like something awful just happened. But before I can process it, the chorus has faded and the piece ends on a light note. It slaps my shoulder on the way out before I can ask what the hell.
Well wasn't that descriptive. It is predictable, but it plays with you. It gets you used to the size and sinister before it throws you for a loop. You feel you should be prepared for when it happens, because there were signs. But you couldn't anticipate what was coming.
9/10.
Now if you'll excuse me I'm going to underline Shadow of the Colossus on my birthday list a few more times.
Music's pretty great in here tonight.
Tomorrow Hill: WarioWare: Smooth Moves, by any of Naoko Mitome, Masanobu Matsunaga, and/or Yasuhisa Baba