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Posted: Mon May 29, 2006 7:49 pm
Have you ever been in one of those plays and it just seemed like the theatre gods just did not want if to happen?
My theatre teacher at school told me a story about a production of Jesus Christ: Superstar up at North Carolina School of the Art. This is the story of how they went through four Jesuses in one night.
Appernelty, the show was going along fine until intermission when Jesus gets food poisoning and stars vomiting blood. Beedless to say, they imediatly brought him to the hopital. So we're on the Jesus #2. So they're doing the Crucifixion scene and the guy comes out to stab Jesus with the spear. There was supposed to be a fake blood capsule at the end so it look like he was bleed. The only problem was that Jesus #2 was originally the guy who stabbed him so the guy stabbing Jesus didn't know this so he used a real spear. Needless to say, Jesus #2 gets cut pretty badly, goes to the hopital and gets like.... 50 stitches.
Jesus #3 comes up to finish the show... they're one the scene where Jesus ascends to Heaven. They were just gonna attatch a rope to him and drop and sandbag and up he would go. Only problem is Jesus #3 weighs about 50 lbs less than Jesus #1. So they drop the sand bag and jesus goes skyrocketing into heaven, hits his head, and get's a concussion and is also taken to the hospital.
So Jesus #4 finished up what little of the show there is. Basically seems God did not want that show to go one, hm?
Discuss: shows that seemed doomed.
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Posted: Tue May 30, 2006 7:22 am
In middle school we did one called Fair Exchange which was just a total rip off of Freaky Friday. The main guy had no idea what his lines were, our director was a total b***h, everyone hated their part, the show, the script, it was just a god awful mess. Even though we were in middle school we knew it was crap. It was 2 hours long and we had 2 different endings the two nights we performed it.
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Posted: Tue May 30, 2006 2:38 pm
'A Show of Hands'. It's the first show our Community Theater has ever canceled. The reason was because the directors suicidal daughter ran away, and another director casted the show, but she casted it really wrong because it was supposed to be a teen musical and it had kids in it that were like...I think the oldest was 14. It was so wrong. So, we canceled it. And we're terrified of it now....beware the cursed musical...
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Posted: Thu Jun 01, 2006 5:54 pm
The cast was eating Gummi Bears during Little Shop of Horrors when the puppeteer seized up in a really bad allergic reaction. We forced one of the Hobos to cart him to the hospital and freaked out for a good 5 minutes before the director's boyfriend (student directed musical, mind you) admitted to putting the Audrey II on and playing with it. He was thrust into the show and did surprisingly well.
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High-functioning Werewolf
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Posted: Fri Jun 02, 2006 7:56 pm
I was in a show my friend wrote called "Sky of Kyo" a year or so ago. It was about the death of feudal Japan, and the plot was actually really cool, but since way too many Americans have no idea what the hell feudalism even is, it was pretty doomed from the beginning. Not that it wasn't a brilliant plot. It was just really high-brow for American High School theatre. And we spent way too much time on the history and learning aspects and not nearly enough time actually rehearsing our lines.
During the preview, I'm pretty sure we told one of the integral characters "you're a gimpy Japanese innkeeper who hates Russians, but loves vodka. Improv it."
Needless to say, the curtain did not open for Sky of Kyo.
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Posted: Sun Jun 04, 2006 9:09 pm
Kate the Curse I was in a show my friend wrote called "Sky of Kyo" a year or so ago. It was about the death of feudal Japan, and the plot was actually really cool, but since way too many Americans have no idea what the hell feudalism even is, it was pretty doomed from the beginning. Not that it wasn't a brilliant plot. It was just really high-brow for American High School theatre. And we spent way too much time on the history and learning aspects and not nearly enough time actually rehearsing our lines. During the preview, I'm pretty sure we told one of the integral characters "you're a gimpy Japanese innkeeper who hates Russians, but loves vodka. Improv it." Needless to say, the curtain did not open for Sky of Kyo. Wow, that sounds awesome, and yet sad (that it didn't open) at the same time. I love feudal Japan... hooray for having beat them to death in my AP World History class!
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High-functioning Werewolf
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Posted: Mon Jun 05, 2006 9:05 am
thelovelyLIZ Kate the Curse I was in a show my friend wrote called "Sky of Kyo" a year or so ago. It was about the death of feudal Japan, and the plot was actually really cool, but since way too many Americans have no idea what the hell feudalism even is, it was pretty doomed from the beginning. Not that it wasn't a brilliant plot. It was just really high-brow for American High School theatre. And we spent way too much time on the history and learning aspects and not nearly enough time actually rehearsing our lines. During the preview, I'm pretty sure we told one of the integral characters "you're a gimpy Japanese innkeeper who hates Russians, but loves vodka. Improv it." Needless to say, the curtain did not open for Sky of Kyo. Wow, that sounds awesome, and yet sad (that it didn't open) at the same time. I love feudal Japan... hooray for having beat them to death in my AP World History class! Oh yeah! It was a totally sweet play, unfortunately, the play's writer is like, the poster child for ADHD and so the rehearsals won't exactly what you'd call focused. That and feudal Japan just isn't as teached in America as it is in Japan, and this kid didn't really get it, he just assumed that everybody knew who the shinsengumi were, what the samurai did, and so on. I think his play will do well in Japan, though. All of them, actually. He's written 3 in the past 2 years. He's a little insane.
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Posted: Mon Jun 05, 2006 8:45 pm
Yeah, this student one. The kid was useing her friends who could not act there way out of a bag, rather then the real actors that were all given bit parts. Then, she yelled at us when we started to play strip poker. Whats up with that?
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Posted: Sat Jun 17, 2006 3:44 pm
Wow
Heh, when we did Godspell, our Jesus had a nervous breakdown at the dress rehearsal
: P
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Posted: Tue Feb 13, 2007 8:30 pm
Brigadoon...... ya too much to say for that...... nobody knows how to put on a scottish accent. all of the guys had to wear white tights and kilts ( i felt so sorry for the band down in the pit)... a lead dissapears and winds up in the hospitle ( non- theatre accident) the replacement dosnt know the songs shes to sing... then those song lyrics needed to be taped down to the floor so she could read them.. then those same songs are cut down... our fog machines set of the fire alarms 2 times... then (heres the bast one) and actor asks us if we could move the hill we built, all because he cant dance on it! it was nailed, taped and plastered to the floor...sure thing we could move it for him! ( we didnt...we told him to screw off)
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Posted: Sat Feb 17, 2007 1:34 pm
Kate the Curse thelovelyLIZ Kate the Curse I was in a show my friend wrote called "Sky of Kyo" a year or so ago. It was about the death of feudal Japan, and the plot was actually really cool, but since way too many Americans have no idea what the hell feudalism even is, it was pretty doomed from the beginning. Not that it wasn't a brilliant plot. It was just really high-brow for American High School theatre. And we spent way too much time on the history and learning aspects and not nearly enough time actually rehearsing our lines. During the preview, I'm pretty sure we told one of the integral characters "you're a gimpy Japanese innkeeper who hates Russians, but loves vodka. Improv it." Needless to say, the curtain did not open for Sky of Kyo. Wow, that sounds awesome, and yet sad (that it didn't open) at the same time. I love feudal Japan... hooray for having beat them to death in my AP World History class! Oh yeah! It was a totally sweet play, unfortunately, the play's writer is like, the poster child for ADHD and so the rehearsals won't exactly what you'd call focused. That and feudal Japan just isn't as teached in America as it is in Japan, and this kid didn't really get it, he just assumed that everybody knew who the shinsengumi were, what the samurai did, and so on. I think his play will do well in Japan, though. All of them, actually. He's written 3 in the past 2 years. He's a little insane. It sounds so good, too...D=. If he'd let someone touch "Sky of Kyo" up a bit so that Americans would understand, it'd probably be amazing...
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Posted: Sun Jul 08, 2007 12:07 am
When we were doing Footloose, nothing seemed to be coming together. The cast had no volume, and microphones could only do their fair share. Come Dress Rehearsals with the Orchestra, people began to song at a higher volume. This was because the cast finally came to a realisation. They would be out-played by the instruments, and thats not what you train for 4 months for is it?
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Posted: Sun Jul 08, 2007 8:29 am
Well I guess you could call our production of the breakfast club a little doomed. We started with a mrs. Vernon played by a student but she has to quit because too little time. Then we had another teacher playing Vernon but she had too quit too and we ended up with our director (also a student) playing Vernon because we hadn't enough time to cast a new Vernon.
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Posted: Thu Jul 12, 2007 8:00 pm
Hahaha, oh my.
I'm currently in the rehearsals of the show Kiss Me, Kate. Fun show, a bit dramatic at times, a bit innapropriate, but altogether a pretty decent show to put on. Aparently, nobody in this cast knows the meaning of "Bigger is Better" in Kiss Me, Kate. Now, we have some excellent actors at or disposal, yet they don't seem to want to pull though with some comedic scenes. Our Lilli Vanessi/Katherine cannot determine the difference between mad and totally blind with rage, which is needed for many scenes, our Lois Lane/Bianca is rather good, but does not use eye contact at all, thus missing cues, our Fred Graham/Petruchio is excellent at most things, not much to complain in that subject, besides the lisp, our Bill Calhoun/Lucentio as serious social/mental issues, in a literal sense, and cannot sing or act well, our Paul(a) cannot sing loud enough for Too Darn Hot to be heard past the end of the stage, which she is sitting upon, and out ensemble is totally uncoordinated. Besides that, it's wonderful.
Our show is in one week, we haven't blocked two scenes, two songs aren't memorized, and we don't have any Padua costumes yet. We just learned a dance today, and it's a total disaster, plus we are lucky enough to be the first show up, meaning that we had only 4 weeks of rehearsals.
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Posted: Sun Jul 15, 2007 2:15 pm
Ms Sex Hahaha, oh my. I'm currently in the rehearsals of the show Kiss Me, Kate. Fun show, a bit dramatic at times, a bit innapropriate, but altogether a pretty decent show to put on. Aparently, nobody in this cast knows the meaning of "Bigger is Better" in Kiss Me, Kate. Now, we have some excellent actors at or disposal, yet they don't seem to want to pull though with some comedic scenes. Our Lilli Vanessi/Katherine cannot determine the difference between mad and totally blind with rage, which is needed for many scenes, our Lois Lane/Bianca is rather good, but does not use eye contact at all, thus missing cues, our Fred Graham/Petruchio is excellent at most things, not much to complain in that subject, besides the lisp, our Bill Calhoun/Lucentio as serious social/mental issues, in a literal sense, and cannot sing or act well, our Paul(a) cannot sing loud enough for Too Darn Hot to be heard past the end of the stage, which she is sitting upon, and out ensemble is totally uncoordinated. Besides that, it's wonderful. Our show is in one week, we haven't blocked two scenes, two songs aren't memorized, and we don't have any Padua costumes yet. We just learned a dance today, and it's a total disaster, plus we are lucky enough to be the first show up, meaning that we had only 4 weeks of rehearsals. ...Wow. Good luck.
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