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The Infinite One Sword Style of the Hidden Mist

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BluewolfofMibu

PostPosted: Thu Sep 17, 2009 8:35 pm


The Infinite One Sword Style (Mugen Ittōryū)
Advanced Taijutsu of the Hidden Mist and Hidden Leaf


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http://www.youtube.com/watch?v=xocYeywG2cg

The Infinite One Sword style was created as a way to improve the relationship between the Hidden Leaf and the Hidden Mist villages. It was a joint attempt made by the Hokage Likkys Hatake, the Mizukage Zane Hajime, the Anbu Captain Tares Damascus, and the Pride of the Mist Luo Ushio. The sword style is a fusion of Leaf’s Lotus Taijutsu and training, Gentle Fist style, Mist’s Sword style, and the creation of Swords. Rather than relying on a single good quality blade the practitioner makes use of hundreds of katana scattered around the battlefield. The practioner does not care about the quality of the blades he uses, and uses a variety of moves making use of a single blade, or even multiple blades at the same time. Because of his reliance on hundreds of blades scattered around the battlefield the practitioner almost always has a blade, or multiple blades handy for use. He uses his swords for various purposes beyond normal melee attacking, including use as projectiles, paths to walk on, pins to hinder his opponent's movements, and also use for making multiple simultaneous attacks on an enemy or even several enemies. As a means to promote further relations between Mist and Leaf, the practioners must be trained at both Kirigakure and Konohagakure. Note that only a creator of this style can teach the final stage.

Stage 1: The Body Training
Academy


In the first stage of the style, the practioner does nothing but train his body by wearing weighted armlets and leg weights. The user trains by simply moving constantly and training sessions look almost like boxing matches, with the user having to constantly move around and dodge the trainer. It is believed that teaching one how to survive is the first order of business.

Stage 2: The Movement Training
Genin


After the basic body building is complete, the user then begins training technique. The user is taught how to keep momentum up, and how to move one move into another. This allows for stronger blows and more fluid movements. The user also learns how to constantly circle an opponent, keeping him on guard constantly. This is essential to using the infinite sword by moving constantly

Stage 3: The Sword Training
Genin


After all the hand to hand taijutsu training is completed, the practitioner is finally given a sword. Any sword will do. In this stage, the practitioner is trained in the art of the sword. By the end of the training, the practitioner feels bit more ease, capable of inflicting more damage and implementing more speed and strength. However, the user isn't at a level yet where he is extremely dangerous to anyone except a lower level taijutsu user or a genin without taijutsu training.

Stage 4: The Double Sword style
Chuunin


At this stage, the practitioner is taught how to use swords in methods never even thought of. The practioner is trained in many different forms:
Form 1: Balance…the practitioner is asked to stand and balance on the hilt of the blade on one foot while the blade has been stuck to the ground.
Form 2: Accuracy…the practitioner is trained on throwing a katana at an enemy. Usually a katana is not used as throwing weapons, but this is an essential part of the training. The practioner must have perfect accuracy by throwing the weapon at a bull’s-eye from 30 yards away.
Form 3: Dual wielding…the final form at this stage is the ability to wield two swords at once. This is only a small milestone in the sword style, but it is a step that needs to be taken.

Special Techniques:

Double Sword Technique
Description: With intensive training, the user of the style can learn to wield two blades instead of just one. This can only be done with katana or smaller weapons. When using two blades, the effectiveness of the user can double or even triple under the right circumstances

Double Shimmering Path:
Description: The practitioner throws two swords at once at high speeds at the opponent

Stage 5: The Summoning
Chuunin


At this stage, the user must seek out a Blacksmith to create hundreds of swords for him to use and seal them in a scroll. The user is taught the summoning weapons technique in order to summon the swords unto the battlefield. After this is done, the practioner is now taught how to use several swords at once. Using Mist Sword style, the practioner can wield two swords in hand at once, and grab several of them to use as projectiles. Using Leaf Taijutsu, the practioner can grab swords with their toes and use their feet to wield blades as well.

Special Techniques:

Tobidōgu (Flying Tools):
Description: This jutsu allows the practioner to store their swords in a summoning scroll and summon them whenever they want. The practioner is taught how to summon hundreds of blades and make them rein upon the battlefield. If the opponent is not careful enough, he can be skewered to pieces from the initial summoning.

Three Shimmering Paths:
Description: Using it, the practioner grabs onto three of his swords and throws them onto the ground creating a path. Then running along these swords the swordsman grabs onto a fourth one and uses it to directly attack the opponent at high speeds, using the hilt of each sword to push himself for more momentum

Stage 6: The Skewering
Jounin

At this stage the swordfighter is taught in the Hyuga’s gentle fist style. But not in the way one would think. The practioner is taught how to implement the blade with the techniques of the Leaf’s Hyuga clan and how to implement the several dozen swords into one giant attack.

Special Techniques

Addition Blows (1-12)
Description: The practioner moves at high speeds to attack his enemy. After each hit he will let go of his sword to quickly use another to let him attack from different angles while his enemy is stunned from his previous blow. This leaves his enemy covered with twelve swords

Sword Fang:
Description: Practitioner begins by hitting three swords standing parallel to each other. They are hit near the end, causing all three of them to slash upwards, in the manner of a "fang".

Vertical Line:
Description: Following his Sword Fang; all three swords momentarily hover in the air, where Mifune will then proceed to use the current sword in his hand to sequentially hit each, thereby launching each of them directly at the enemy.

Stage 7: The Massacre
Kage/Saanin


By this time, the user has practically neared perfection. His blows are perfectly straight and powerful, the user knows where and how to hit his opponent's body to inflict as much damage as possible. Using wide, sweeping strike the user is kept spinning and moving, almost like a top while fighting. The movements are so fluid that, even with making such wide strikes they still often hit. The weapons are more than extensions of the body now. The blades are the body. The pure grace and skill within the user is so high that it can only be described as awe-inspiring. By this stage…the user can effectively wield one hundred blades simultaneously by moving at such high speeds that they can easily strike, drop the sword, pick another and strike again. To master this style, is to be called a demon.

Special Techniques:

Multiplication Twenty Four Blows
Description: The practitioner will follow his Addition Blows with this attack. He strikes the swords that he left around his enemy from his Addition Blows which ends up cutting his enemy with the twelve swords all over again.

Stage Eight: Hells Ascension
Kage


At this stage, the sword master is said to have been granted his mastery over the sword from Susano-o himself. The shinobi's mastery over the countless katana he wields is incomparable to any other style around. A master of this stage has the capability of literally destroying an army on his own without so much as a scratch. When he moves, it is as if you were watching the wind dance listlessly. His movements are also quick and effective, not one strike made simply to maim. It is in this stage that the sword wielder has caused such a connection with the blades he fights with, that he has the capability of calling one to him from 100 yards away. Incorporated into this stage are the flips, tricks, and twirls which make him not only hard to hit, but hard to see. The swordsman is said to have invisible hands, capable of making it seem as if one were fighting ten katana wielding shinobi at once. It would take at least three jounin to effectively stand a chance against one of this rank. He is no longer referred to as simply a demon, his blades said to be forged in the flames of hell.

Special Techniques:

Yaiba Terekineshisu(Blade Telekinesis) Kage/Sannin Rank:
Description: As the blades are summoned into the battle ground, as long as the swordsman so much as touches one of them, it is instantly infused with a chakra mark. This mark, allows the swordsman to literally extend his hands and "call" a blade to each one, from 100 yards away.

Yaiba Kyuuten(Heaven's Blade) Kage/Sannin Rank:
Description: Burning his chakra into the blades on the battlefield, the swordsman can literally cause one hundred blades to hover and shoot towards an opponent, either all at once, or one at a time for five posts. In a limited fashion, the swordsman can control up to ten blades effectively in close combat, as if they were extensions of his actions and will. The latter of these two actions can only be done for five posts at a time, and a period of three posts afterwards must pass before it can be done again.



Masters and Creators:
Zane Hajime
Likkys Hatake
Luo Ushio
Tares Damascus
PostPosted: Thu Sep 24, 2009 11:24 am



The Ninth Stage, (The Infinite Master)
Infinite Master Style #4: Soshi Arashi (Elemental Tempest):


Being one of the creators of the infinite swordstyle, infinite master Luo Ushio came to grow attached to the style, reaching a level so great, he needed to adapt even the blades themselves of which he used. Luo created the schematics for a special set of blades. Blades which had never been formed in the countries before. The interlocking, strange shaped "key blades" were his creation, and his to wield alone. Each one differing from the next, yielding difficulty for anyone who attempted to wield one. The ninth stage itself is something even the masters of this style themselves, fear using. It is a stage of such power and concentration, that after all of its abilities are used twice, the summoned blades are instantly transported back into their summoning scroll. Luo's master stage is one of manifestation. Through his blades, Luo's elements have been manifested through them, a true testament to his mastery of this style. The movement and attack style of this stage are almost incomprehensible. It is a true fusion of grace and power of such a high magnitude, it is a stage which Luo himself has created a ban on against using on any shinobi of less than the chuunin stage, and of the chuunin stage at least three chuunin should be present. It is named Elemental Tempest because the style is said to rival with Susano-o's mastery over the blade.

Techniques:

Kaen Arashi(Flame Tempest)Jounin Rank:

This techniques strength is put at a jounin rank for its simplicity, and is in fact the manifestation of Luo's fire element. By forming a single seal either the moment the blades are summoned, each one glows red for less than a second. The moment anyone other than Luo attempts to touch any of the blades, they will erupt in flames of such heat from the hilt up, it would take someone with at least katon mastery stage four to hold them. This technique causes third degree burns instantly, scalding the hands so badly, hand seals are unbearable to perform.

Kaze Arashi(Wind Tempest)Sannin/Kage Rank:

Because the wind style involves such few hand seals, this technique is a surprise. By holding out a hand and performing a twisting motion, Luo can not only summon all blades in a cyclone of wind, but ride them as well like this (43 seconds in with the hand gesture, and then right after that with the blade riding). The blade ride lasts for three posts, or can be ended by ramming directly into the opponent. A truly tempestuous technique.

Yaiba Mizu Yuukai Arashi(Blade and Water Fusion tempest)Sannin/Kage Rank:
This is the sole purpose for the shape of each blade, as well as the only manifestation of the water element. Forming six seals, each blade with similarities of Yaiba Terekineshisu(Blade Telekinesis), is called back to Luo, all quickly locking together using the grooves of the key shapes of each blade, forming a shield around Luo. Then as a seventh seal is formed within the dome by Luo, each blades glows blue and collects water in a quick torrent around them, forming a shield of water around them so pressurized, it is as strong as steel. The shields strength is capable of deflecting all chuunin ranked jutsu, and all katon. If a katon of Kage rank is used however, the shield is broken through, causing 25 of the blades to instantly be sent back to the summoning scroll

BluewolfofMibu


BluewolfofMibu

PostPosted: Fri Oct 02, 2009 4:24 pm


The Ninth Stage (The Devil of the Mist)
Infinite Master Style #1 Naraku Kouken (Hell's Guardian)


Being one of the creators of the Infinite One Swordstyle, Infinite master Zane Hajime made the decision to transcend from being a demon...to a Devil...the Devil of the Hidden Mist. With the help of one of his most trusted friends, Zane created a set of katanas infused with elemental chakra: Fire, Water, Wind, Lightning, Earth and Non Elemental. Using his sharingan ability to be able to use all elements, Zane can wield each blade and infuse them with his own chakra. By doing this, Zane can create a barrier that blocks against the elements AND negates the elemental chakra to be used while inside the barrier. Each barrier can be raised to be the size of an entire football field. If the opponent tries to grab at Zane's blades, his Hyoton Ice bloodline activates...freezing the blade completely and crippling the opponent's arm as it freezes over. It is the ultimate defense against ninjutsu and genjutsu users, making Zane the Naraku Kouken.

Techniques


Touketsu Tachi (Frozen Touch) Chuunin Rank Passive: Since the blades have been infused with Zane's chakra, no other shinobi can wield his swords, for if they do, the blades itself will freeze over, rendering the arm of the shinobi useless as it will be frozen in Hyoton Ice

Katon Shouheki (Fire Barrier) Jounin Rank: Using six blades with red strings attached to them, Zane can create a barrier that negates the use of the fire element while inside the barrier. This lasts for five posts.

Mizu Shouheki (Water Barrier) Jounin Rank: Using six blades with blue strings attached to them, Zane can create a barrier that negates the use of the water element while inside the barrier. This lasts for five posts.

Doton Shouheki (Earth Barrier) Jounin Rank: Using six blades with brown strings attached to them, Zane can create a barrier that negates the use of the earth element while inside the barrier. This lasts for five posts.

Fuuton Shouheki (Wind Barrier) Jounin: Using six blades with green strings attached to them, Zane can create a barrier that negates the use of the wind element while inside the barrier. This lasts for five posts.

Raiton Shouheki (Lightning Barrier) Jounin Rank: Using six blades with yellow strings attached to them, Zane can create a barrier that negates the use of the lightning element while inside the barrier. This lasts for five posts.

Nain-Butai Shouheki (Non Elemental Barrier) Jounin Rank: Using six blades with white strings attached to them, Zane can create a barrier that negates the use of non elemental chakra techniques, ie Sound, Leaf, Grass, and Sand jutsus

Garandou (Chakra Void) Kage level: The ultimate barrier jutsu, using twelve blades, two of each type of blade in a perfect circle, Zane can create the ultimate chakra barrier. Any chakra released inside of it is sucked into the barrier...negating the use of any elemental and non elemental jutsu and genjutusu. Lasts for five posts.

*Note a cool down of 5 posts must occur between the use of barriers
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Village Hidden in the Mist

 
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