|
|
|
|
|
|
|
|
|
 Posted: Sat May 27, 2006 1:13 pm
william hogarth, an english rocco painter, painted the breakfast scene from Marriage a la mode, in 1745. English Roccoco paintings started to deal with morals, where the french was more care free. This scene, shows what happens when people blend wealth and title, a shameful outlook towards the high class. The woman doesnt seem to care that her husband is hung over and has the gloves of another woman in his pocket, while the accountaint is disusted (telling the viewer the behavior of these people is unaceptable).
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Sat May 27, 2006 1:15 pm
Jaques-louis Davi, a neoclassisim painter, painted the otah of the Horatii, in 1784. The story of the Horatti was created in the french society, but is based in antiquity. The image is all about strength vs emotion (weakness) and is very much the opposite of the roccoco way of thinking. The artist has used a past setting with a current story to comment on the policical standing of french society.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Sat May 27, 2006 1:16 pm
Thomas Jefferson, a beliver in the englightnment, based in reason and ration, designed th emontichello in charolettesville VA, in 1770. Jefferson is referencing the past, through the panthion of ancient rome and polladio's buildings of the rennisance.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Sat May 27, 2006 1:29 pm
jan vermerr, duch baroque, allegoy of the art of painting, 1670.
pietro da cortona, italian baroque, triumpth of the barberini, the grand saloon, the palace, fresco 1633
antoine watteau, french roccoco, return from cythera, 1717
andrea pozzo, the glorification of st. ignatious, 1691, italian baroque
velaqueze, spanish baroque, las minas, 1656
rembrant, the shooting company of captin frans banning, dutch baroque, 1642
nicolas poussin, french baroque, the burial of phocion, 1648 (end of the 30 years war, the founder of the french achademy).
bernini, baldancchio, italian baroque, 1627, pop urban...
jean-honore fragonard, french rocco, the swing, 1766, pastural, care free
william hogarth, english roccoco (w/ morals), breakfast scene, marriage al la mode, 1745
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Sat May 27, 2006 1:33 pm
jaques-louis david, neoclassisim, the oath of the horatii, strength vs emotion, 1784, french
jaques-louis-david, french neoclassisim, the oath of the horatti, strengh vs. emotion, political..
thomas jefferson, monticello, 1770, enlightenment.. polladio, pantheon.
peter paul rubens, from holland, part of the french court, elevation of the cross, 1610, savior strenght, heroic, antiquity... baroque
peter paul rubens, the arrival of marie de medichi at merseilles, from a seires of paintings about her life after her husband died, 1622, baroque
bernini, david, marbel, 1623, in action, italian baroque.
caravaggio, italian baroque, converstion of st. paul, 1601, tenebrisim, Contarelli Chapel, San Luigi dei Francesci
calling of st mathew, 1597, tenebrisim, carravagio, italian baroque, Cerasi Chapel of Santa Maria del Popolo, darkness of the world-light of god, hand -michelangelo in sistine chapel.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Sat May 27, 2006 1:45 pm
rembrant, dutch baroque, christ with the sick around him reciving the children, the 100 guilder print, etching, 1649
carrivagio, the conversion of st paul, 1601, carisei chapel, santa maria del popolo
carrivagio, the calling of st mathew, 1597, contarelli chapel san luigi del francesci
bernini, the ectasy of st teresa, 1645, cornaro chapel, santa maria della vittoria.
bernini, the ecstasy of st tereas, 1645, conaro chapel, santa maria della vittoria.
carrivagio the converstion of st paul, 1601, cerisai chapel, santa maria del popolo.
carrivagio the calling of st mathew, 1597, italian baroque, conterelli chapel, san luigi dei frencesci.
carrivagio the calling of st mathew, 1597, italian baroque, conterelli chapel, san luigi dei frencesci.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Sat May 27, 2006 4:25 pm
calling of st mathew-caravaggio, italian baroque, 1597, tenebrisim.
conversion of st paul-caravaggio, italian baroque, 1601
bernini-david, 1623, italian baroque, marbel
arrival of marie de medichi at marseilles, peter paul ruben, 1622, dutch baroque?the elevation of the corss, peter paul rubens, dutch baroue, antwerp cathedral, 1610
thomas jefferson, motichello, neoclassisim, part of the englitenment, 1770,l charollettesville VA.
jaques-louis david, the oath of the horatti, 1784, french neoclassisism, political art.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Sat May 27, 2006 4:32 pm
william hogarth, breakfast scene, english roccoco-with morals, 1745
jean-honore fragonard, the swing, french roccoco, 1766, pastural.
bernini, italian baroque, baldancchio, st peters, 1627, pope urban
nicolas poussin, foudner of the french achademy, 1648, burial of phocion
burial of phocion, nicolas possin. french baroque.
rembrant, shooting company of captin frans banning, dutch baroque, 1642
shooting co of capt frans banning, rembrant, 1642
velaqueze, spanish baroque, las menias, 1656
andrea pozzo, italian baroque, the glorification of st ignatious, 1691
antoine watteau, french rocco, return from cythera
pietro da cortona, italian baroque, triumpth of the barberini family, ceiling fresco in gran salone plazzo boberini, 1633
allegory of the art of painting-1670, jan vermeer, dutch baroque, 1670.
the ecstacy of st teresa, cornora santa maria della vittioria, 1645
the ecstasy of st tereas, santa maria della vittoria, 1645, cornora chapel
the ecstay of st teresa, cornora chappel, 1645,bernini, italian baroque.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Sat May 27, 2006 5:10 pm
peter paul rubens, flemish barouqe, the elevation of the cross 1610
peter paul rubens, flemish baroque, the arrival of marei de medichi at marseilles, 1622
bernini, david, marbel, 1623, italian baroque
carravagio, italian baroque, converstion of st paul, 1601, cerasi chappel, santa maria del popolo.
carravagio, italian baroque, calling of st mathew, 1597, contarelli chappel, san luigi dei frescesci
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Sat May 27, 2006 5:12 pm
velaqueze, spanish baroque, las menias, 1656
rembrant, dutch baroque, christ with the sick around him reciving the children, the 100 guilder print, etching, 1649
bernini, the ecstasy of st teresa, cornaro chapel, santa maria della vittoria, italian baroque, 1645, cardinal frederico cornaro commisioned
jan vermeer, dutch baroque, allegory of the art of painting, 1670
peitero da cortona, italian baroque, the triumpth of the barberini, ceiling fresco in the gran salone, plazzo barberini, 1633
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Sat May 27, 2006 5:15 pm
antoine watteau, french rocco, return from cytera, 1717, fete grante, outdoor entertainment or amusements of upper class society. the artists admission peice to the royal achademy. sacred island to aphroditie. ellegant and sweet.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Sat May 27, 2006 5:21 pm
andrea pozzo, the glorification of st ignatious (founder of the gessoite order) 1691, italian baroque.
rembrant, shooting company of captin frans bannding, 1641, dutch baroque, 1641
nicolas poussin, founder of the french academy of art, burial of phocion, 1648, historiy painting, and landscape, highest forms of painting. French baroque.
bernini, italian baroque, baldancchio, st peters, 1627, pop urban (barberini).
Jean honore fragnard, french rocco, the swing, 1766
pastural landscape, ice blue.
william hogarth, english roccoco, breakfast scene, from marriage a la mode, 1745
jaques-louid david, neoclassisim, the oath of the horatti, 1784, french
thomas jefferson, enlightenment, montichello, va charolettesville, 1770.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Sat May 27, 2006 7:17 pm
theodore gericault, a french romantisist painter, painted the raft of the medusa, in 1818. The captin, hired by nepolian becuase he was a friend, crashed the ship, and here the survivors are depicted in a triangle form. At the top, hope, as the men violently wave their shirts to a ship in the distance, painted so that it is impossible to tell if it is coming or going. At the bottom, nudity comes in to show the heroic fallen. The emotion from top to bottom is strong and clear.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Sat May 27, 2006 7:19 pm
francisco goya, a spanish romantisist painter, painted the third of may 1808 in 1814. This historical painting depicts a day in the battle between spain and france. The french are depicted as faceless colorless monsters, and the spanish are maryers for their country. There light is reministent of carrivagio's light of god, but here it's the light of the country.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Posted: Sat May 27, 2006 7:21 pm
jean august dominique inges produced the etching nad aquatint the sleep of reason produces monsters, a spanish romantic work, to show what the enlightenment does, it produces monsters. This work is scary, it invokes fear, saying the dinial of emotions, something the enlightenment was very much against, will cause you problems.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reply
