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Posted: Tue Dec 05, 2006 11:30 am
Welcome Bijin, a Fable whose diary is recorded by Byagane319. Events will unfold as the Fable travels on his journey, and will only be recorded by the current owner, and none other.
Bijin is based off of the fairy tale The Fox In the Brothel, of Japanese Origin.
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Posted: Sun Dec 17, 2006 4:56 pm
Table of Contents 1. TOC/Rules 2. The Fox in the Brothel legend 3. The Japanese Fox 4. Kitsune Lore 5. Bijin 6. Bijin's Friends/Enemies 7. Byagane 8. Their Home 9. Blank 10. Blank 11. Blank Rules1. No posting unless you have permission. 2. Follow all TOS rules as Gaia has described. All artwork was found using Deviant Art, Yahoo Search, and Epilogue. I did not create this art nor do I own it. All artowrk is the copyrighted art of their creators. I'm just borrowing them to make my journal look pretty. All information on kitsunes and foxes were found on Wikipedia.
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Posted: Sun Dec 17, 2006 5:07 pm
BijinName: Bijin Toskai Age: 10 Height: 4'1" Weight: 85 lbs Guardian: Byagane Tosaki Gender: Male, but very androgynous Nationality: Japanese Hair Color: Short black hair style of japanese child Eye Color: Brown Fable: The Fox In The Brothel Sexuality: Unknown, still too young Favorite posession: A silver ryo, anicent japanese coin Favorite Clothes: A blue women's kimono and sandels Favorite Food: Fried tofu Favorite Color: Blues, reds, and whites Favorite Toy: A small japanese tea set and fan Favorite Animal: Crane Favorite Activity: Making fried tofu with his mother Least Favorite Clothes: Jeans and a t-shirt Least Favorite Food: None, boy loves to eat Least Favorite Color: None Least Favorite Activity: Having to clean his room Fears: Dogs, getting his clothes dirty, lying Personality: Bijin is an odd child to say the least. His very feminine looks usually earn him the praise that little girls get and he loves people telling him he looks pretty. He will wear both boys and girls clothes if he likes them. Fashion and appearance is very important to him. He sees no reason for people to follow specified gender roles. In his mind, the only thing that matters is that you know what gender you are. You do not have to project that to everyone else in fashion or in action. If there is one thing that is true, Bijin will ALWAYS keep his word. His promise is genuine and will be fullfilled at any cost. Despite his light hearted nature and cute looks, Bijin does have a rather mischivious and sometimes malicious side to him. He can be rather spiteful if insulted and will take revenge on those who have hurt him; no matter how long it takes. When the mood strikes him, he can play rather mean pranks on other people, but he will usually stop if the person shows pain or unhappiness with his joke. He will also stop at nothing to investigate something he is interested in. If he wants to know it, he'll find out. Goals: Bijin's main goal is to discover his fable, which is unknown to him. He feels as it is a part of him he should know what he is based on. Also, he dreams of opening his own clothing store with outfits he has designed.
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Posted: Sun Dec 17, 2006 5:09 pm
The Japanese FoxThe Red Fox is most commonly a rusty red, with white underbelly, black ear tips and legs, and a bushy tail with a distinctive white tip. The "red" tone can vary from crimson to golden, and in fact can be brindled or agouti, with bands of red, brown, black and white on each individual hair when seen close up. In the wild, two other color phases are also seen. The first is silver or black, comprising 10% of the wild population and most of the farmed. Approximately 30% of wild individuals have additional black patterning, which usually manifests as a stripe across the shoulders and down the center of the back. This pattern forms a "cross" over the shoulders, hence the term "cross fox". "Domesticated" or farmed stock may be almost any color, including spotted, or "marbled", varieties. The fox's eyes are gold to yellow and have distinctive vertically slit pupils, similar to those of a feline. They can see just as well too, and combined with their extreme agility for a canid the Red Fox has been referred to as "the cat-like canid". Its long bushy tail with distinctive white tip provides balance for acrobatic leaps and bounds. Its strong legs allow it to reach speeds of 45 miles per hour. That amazing speed makes it easy for them to catch their prey or to outrun their predators. The Red Fox may reach an adult weight of 2.7-6.8 kg (6-15 lb),[3] but this varies from region to region; European individuals being larger, on average, than those in North America. During the autumn and winter, the Red Fox will grow more fur. This so-called 'winter fur' keeps the animal warm in the colder environment. The fox sheds this fur at the onset of spring, reverting back to the short fur for the duration of the summer. The Red Fox is found in a variety of biomes, from prairies and scrubland to forest settings. It is most suited to lower latitudes but does venture considerably far north, competing directly with the Arctic Fox on the tundra. The Red Fox has also become a familiar sight in suburban and even urban environments both in Europe and in North America, where it shares territory with the much maligned raccoon. The Red Fox eats rodents, insects, fruits, worms, eggs, mice, birds, and other small animals. It has 42 very powerful teeth that they use to catch their food. The fox regularly consumes from 0.5–1 kg (1–2 lb) of food per day. In urban neighbourhoods, the fox probably depends mainly on scavenging household waste, though it will also take rodents and birds from gardens and wasteland. Since it is so adaptable, it has a strong population that is above 20 million The Red Fox is primarily crepuscular with a tendency to becoming nocturnal in areas of great human interference (and artificial lighting); that is to say, it is most active at night and at twilight. It is generally a solitary hunter. If a fox catches more food than it can eat, it will bury the extra food (cache) to store it for later. In general, each fox claims its own territory; it pairs up only in winter, foraging alone in the summer. Territories may be as large as 50 square kilometres (19 square miles); ranges are much smaller (<12 square kilometres (4.6 square miles)) in habitats with abundant food sources, however. Several dens are utilized within these territories; dens may be claimed from previous residents such as marmots, or dug anew. A larger main den is used for winter living, birthing and rearing of young; smaller dens are dispersed throughout the territory for emergency and food storage purposes. A series of tunnels often connects them with the main den. One fox may only need a square kilometre of land marked by recognition posts that are special smells that come from a scent gland located just above a fox's tail. The Red Fox has been considered a monogamous species, however evidence for polygamy (polygyny and polyandry) includes males’ extra territorial movements during breeding season (possibly searching for additional mates) and males’ home ranges overlapping two or more females’ home ranges. Such variability is thought to be linked to variation in the spatial availability of key resources such as food.[1] The Red Fox primarily forms monogamous pairs each winter, which cooperate to raise a litter of 4–6 kits (also called pups) each year; but in various locales and for various incompletely explored reasons they may also practice polygamy (multiple males sharing a single female and/or vice versa). Sometimes young foxes disperse promptly on maturity (approx. 8-10 months); sometimes they remain in their natal territory and assist in raising the next year's offspring. The reason for this "group living" behaviour is not well understood; some researchers believe the non-breeders boost the survival rate of the litters while others believe there is no significant difference, and such arrangements are made spontaneously due to a resource surplus. Socially, the fox communicates with body language and a variety of vocalizations. Its vocal range is quite large and its noises vary from a distinctive three-yip "lost call" to a shriek reminiscent of a human scream. It also communicates with scent, marking food and territorial boundary lines with urine and feces.
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Posted: Sun Dec 17, 2006 5:21 pm
Kitsune LoreKitsune are prominent creatures in Japanese folklore. Folk tales hold that they are intelligent beings and possess great magical abilities that increase with their age and wisdom. Foremost among these is the ability to assume human form. While some stories speak of kitsune employing this ability to trick others — as foxes in folklore often do — others portray them as faithful guardians, friends, lovers, and wives. Foxes and human beings lived in close proximity in ancient Japan; this gave rise to legends about the creatures. Kitsune have become closely associated with Inari, a Shinto kami or spirit, and serve as his messengers. This role has reinforced the fox's supernatural significance. The more tails a kitsune has — they may have as many as nine — the older, wiser, and more powerful it is. Because of their potential power and influence, some people make offerings to them as to a deity. It is a matter of debate whether the kitsune myths originated entirely from foreign sources or are in part an indigenous Japanese concept dating as far back as the fifth century B.C. It is widely agreed that at least some fox myths in Japan can be traced to China, Korea, or India. Many of the earliest surviving stories are recorded in the Konjaku Monogatari, an 11th-century collection of Chinese, Indian, and Japanese narratives. Chinese folk tales tell of kitsune-like fox spirits that may have up to nine tails. In Korea, a kumiho (nine-tail fox) is a mythical creature that has lived for 1,000 years. Differences exist; for instance the kumiho is always depicted as evil, unlike its Japanese counterpart. Nevertheless, scholars such as Ugo A. Casal suggest that the similarities show that fox myths spread from Indian sources such as the Hitopadesha to China and Korea, and ultimately to Japan. In contrast, Japanese folklorist Kiyoshi Nozaki argues that the Japanese regarded kitsune positively as early as the 4th century A.D.; the only things imported from China or Korea were the kitsune's negative attributes. He states that, according to a 16th-century book of records called the Nihon Ryakki, foxes and human beings lived in close proximity in ancient Japan, and he contends that indigenous legends about the creatures arose as a result. Inari scholar Karen Smyers notes that the idea of the fox as seductress and the connection of the fox myths to Buddhism were introduced into Japanese folklore through similar Chinese stories, but she maintains that some fox stories contain elements unique to Japan. Kitsune are believed to possess great intelligence, long life, and magical powers. They are a type of yōkai, or spiritual entity, and the word kitsune is often translated as fox spirit. However, this does not mean that kitsune are ghosts, nor that they are fundamentally different from regular foxes. Because the word spirit is used to reflect a state of knowledge or enlightenment, all long-lived foxes gain supernatural abilities. There are two common classifications of kitsune. The myobu are benevolent, celestial foxes associated with Inari; they are sometimes simply called Inari foxes. On the other hand, the wild nogitsune (literally, field foxes) tend to be mischievous or even malicious. Local traditions add further types. For example, a ninko is an invisible fox spirit that human beings can only perceive when it possesses them. Another tradition classifies kitsune into one of thirteen types defined by which supernatural abilities the kitsune possesses. Physically, kitsune are noted for having as many as nine tails. Generally, a greater number of tails indicates an older and more powerful fox; in fact, some folktales say that a fox will only grow additional tails after it has lived 1,000 years. One, five, seven, and nine tails are the most common numbers in folk stories. When a kitsune gains its ninth tail, its fur becomes white or gold. These kyūbi no kitsune (nine-tailed foxes) gain the abilities to see and hear anything happening anywhere in the world. Other tales attribute them infinite wisdom, essentially omniscience. This obake karuta (monster card) from the early 19th century depicts a kitsune. The associated game involves matching clues from folklore to pictures of specific creatures.A kitsune may take on human form, an ability learned when it reaches a certain age — usually 100 years, although some tales say 50. As a common prerequisite for the transformation, the fox must place reeds, a broad leaf, or a skull over its head. Common forms assumed by kitsune include beautiful women, young girls, or elderly men. These shapes are not limited by the fox's age or gender, and a kitsune can duplicate the appearance of a specific person. Foxes are particularly renowned for impersonating beautiful women. Common belief in medieval Japan was that any woman encountered alone, especially at dusk or night, could be a fox. In some stories, kitsune have difficulty hiding their tails when they take human form; looking for the tail, perhaps when the fox gets drunk or careless, is a common method of discerning the creature's true nature. Variants on the theme have the kitsune retain other foxlike traits, such as a coating of fine hair, a fox-shaped shadow, or a reflection that shows its true form. Kitsune-gao or fox-faced refers to human females who have a narrow face with close-set eyes, thin eyebrows, and high cheekbones. Traditionally, this facial structure is considered attractive, and some tales ascribe it to foxes in human form. Kitsune have a great fear and hatred of dogs even while in human form, and some become so rattled by the presence of dogs that they revert to the shape of a fox and flee. A particularly devout individual may be able to see through a fox's disguise automatically. One folk story illustrating these imperfections in the kitsune's human shape concerns Koan, a historical person credited with wisdom and magical powers of divination. According to the story, he was staying at the home of one of his devotees when he burned his foot entering a bath because the water had been drawn too hot. Then, "in his pain, he ran out of the bathroom naked. When the people of the household saw him, they were astonished to see that Koan had fur covering much of his body, along with a fox's tail. Then Koan transformed in front of them, becoming an elderly fox and running away." Other supernatural abilities commonly attributed to the kitsune include possession, mouths or tails that generate fire or lightning (known as kitsune-bi; literally, fox-fire), willful manifestation in the dreams of others, flight, invisibility, and the creation of illusions so elaborate as to be almost indistinguishable from reality. Some tales speak of kitsune with even greater powers, able to bend time and space, drive people mad, or take fantastic shapes such as a tree of incredible height or a second moon in the sky. Other kitsune have characteristics reminiscent of vampires or succubi and feed on the life or spirit of human beings, generally through sexual contact. Kitsune are associated with Inari, the Shinto deity of rice. This association has reinforced the fox's supernatural significance. Originally, kitsune were Inari's messengers, but the line between the two is now blurred so that Inari himself may be depicted as a fox. Likewise, entire shrines are dedicated to kitsune, where devotees can leave offerings. Fox spirits are particularly fond of a fried sliced tofu called aburaage, which is accordingly found in kitsune udon and kitsune soba. Similarly, Inari-zushi is a type of sushi named for Inari that contains fried tofu. There is speculation among folklorists as to whether another Shinto fox deity existed in the past. Foxes have long been worshipped as kami. Inari's kitsune are white, a color of good omen. They possess the power to ward off evil, and they sometimes serve as guardian spirits. In addition to protecting Inari shrines, they are petitioned to intervene on behalf of the locals and particularly to aid against troublesome nogitsune. Black foxes and nine-tailed foxes are likewise considered good omens. According to beliefs derived from fusui (feng shui), the fox's power over evil is such that a mere statue of a fox can dispel the evil kimon, or energy, that flows from the northeast. Many Inari shrines, such as the famous Fushimi Inari shrine in Kyoto, Japan, feature such statues, sometimes in great numbers. Kitsune are connected to the Buddhist religion through the Dakiniten, goddesses conflated with Inari's female aspect. Dakiniten is depicted as a female boddhisattva wielding a sword and riding a flying white fox. Kitsune are often presented as tricksters, with motives that vary from mischief to malevolence. Stories tell of kitsune playing tricks on overly proud samurai, greedy merchants, and boastful commoners, while the crueler ones abuse poor tradesmen and farmers or devout Buddhist monks. Their victims are usually men; women are possessed instead. For example, kitsune are thought to employ their kitsune-bi or fox-fire to lead travelers astray in the manner of a will o' the wisp. Another tactic is for the kitsune to confuse its target with illusions or visions.[ Other common goals of trickster kitsune include seduction, theft of food, humiliation of the prideful, or vengeance for a perceived slight. A traditional game called kitsune-ken (fox-fist) references the kitsune's powers over human beings. The game is similar to rock, paper, scissors, but the three hand positions signify a fox, a hunter, and a village headman. The headman beats the hunter, whom he outranks; the hunter beats the fox, whom he shoots; the fox beats the headman, whom he bewitches. Kitsune keep their promises and strive to repay any favor. Occasionally a kitsune attaches itself to a person or household, where they can cause all sorts of mischief. Other kitsune use their magic for the benefit of their companion or hosts as long as the human beings treat them with respect. As yōkai, however, kitsune do not share human morality, and a kitsune who has adopted a house in this manner may, for example, bring its host money or items that it has stolen from the neighbors. Accordingly, common households thought to harbor kitsune are treated with suspicion. Oddly, samurai families were often reputed to share similar arrangements with kitsune, but these foxes were considered myobu and the use of their magic a sign of prestige. Abandoned homes were common haunts for kitsune. One 12th-century story tells of a minister moving into an old mansion only to discover a family of foxes living there. They first try to scare him away, then claim that the house "has been ours for many years, and . . . we wish to register a vigorous protest." The man refuses, and the foxes resign themselves to moving to an abandoned lot nearby. Tales distinguish kitsune gifts from kitsune payments. If a kitsune offers a payment or reward that includes money or material wealth, part or all of the sum will consist of old paper, leaves, twigs, stones, or similar valueless items under a magical illusion. True kitsune gifts are usually intangibles, such as protection, knowledge, or long life. Kitsune are commonly portrayed as lovers, usually in stories involving a young human male and a kitsune who takes the form of a human woman. The kitsune may be a seductress, but these stories are more often romantic in nature. Typically, the young man unknowingly marries the fox, who proves a devoted wife. The man eventually discovers the fox's true nature, and the fox-wife is forced to leave him. In some cases, the husband wakes as if from a dream, filthy, disoriented, and far from home. He must then return to confront his abandoned family in shame. Many stories tell of fox-wives bearing children. When such progeny are human, they possess special physical or supernatural qualities that often pass to their own children. The astrologer-magician Abe no Seimei was reputed to have inherited such extraordinary powers. Other stories tell of kitsune marrying one another. Rain falling from a clear sky — a sun shower — is sometimes called kitsune no yomeiri or the kitsune's wedding, in reference to a folktale describing a wedding ceremony between the creatures being held during such conditions. The event is considered a good omen, but the kitsune will seek revenge on any uninvited guests.
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Posted: Sun Dec 17, 2006 5:28 pm
The Fox in the BrothelIn a time of our honorable forefathers, there dwelt in a mean mountain village of Settsu Province a poor f*****t-cutter who followed the way of Lord Buddha, taking no animal life fore the solace of his belly and praying as a devout man should for the eternal welfare of his spirit. One day in a ravine he came upon a vixen, caught by the paw in a trapper's snare, which with many a moan and with tears running down her muzzle para-para seemed to beseech him for succor, so that in pity he would have released her. But being minded to rob no honest man, he trudged a long ri down the mountain to his hut, and taking from a hiding place in the thatch a piece of silver, the fruit of weeks of toil, he returned to the ravine and set the vixen free, and wrapped the silver piece in a bit of cotton cloth, he tied it to the snare and went his way. The vixen, when he released her, fled not, but as thought understanding his heart, fawned upon his feet and licked his hands and followed him limping tobo-tobo to the mouth of the ravine, where she gave three sharp barks and sprang into the thicket. Now on the third evening thereafter, as the man squatted in the mouth of his hut resting from the sweaty labor of the day, on a sudden there appeared before him a damsel, clad in a brown-silk robe, who called to him, and he, seeing her rare beauty and thinking her some great lady strayed from her cavalcade, prostrated himself before her and begged her pleasure. Said she: "Abase not thyself. I am the fox which thy humanity set free the other night from the snare, and whose life thou didst purchase with thy silver piece. I have take this form in order to requite thy favor as I may, and I will serve thee with fealty so long as thou dost live." At which he cried: "Esteemed mistress of magic! Not for my unparalleled worthlessness is thy high condescension! I am eight times rewarded by this thy visit. I am but a beggarly forester and thou a repository of all beauty. I pray thee, make not sport of my low condition." The said she: "Thou art a poor man. Suffer me at least to set thee on the way to wealth." Asked he: "How may that be done?" She replied: "Tomorrow morning don thy best rob and thy stoutest sandals and come to the mouth of the ravine where thou didst rescue me. There thou shalt see me in my true form. Follow whither I lead and good fortune shall be thine. This I promise on the word of a fox." At that he prostrated himself before the damsel in gratitude, and when he lifted himself she had vanished. Next morning, when he came to the ravine, he found awaiting him the vixen, who barked thrice and turning, trotted before him, leading him by paths he knew not across the mountain. So they proceeded, she disappearing in the thicket whenever a chance traveler came in view, and he satisfying his hunger with fruits and berries and slaking his thirst from the rivulets, and at night sleeping under the starts. Thus the reaches of the sun wound up the days till on fourth noontide they descended into a vale where lay a city. At sundown they came to a grove hard by the city's outer barrier where was a shrine to the fox deity, Inari. Before this the vixen barked thrice, and bounded through its door. And presently the woodsman beheld the damsel issuing therefrom, robed now in rich garments and beauteous as a lover's dream leaping from the golden heart of a plum blossom. Said she: "Take me now - who am they daughter - to the richest brothel in yonder city, and sell me to it's master for a goodly price." He answered: "Barter thee, to the red-hell hands of a conscienceless virgin-buyer? Never!" Then, with a laugh like the silver potari of a fountain, she said: "Nay, but they soul shall be blameless. So soon as thou hast closed the bargain and departed, I shall take on my fox shape in the garden and get me gone, and thus the reward shall be thine and evil intent shall receive its just deserts." So, as she bad him, he entered the city with her and inquiring the way to the quarter of houses of public women, came to it's most splendid rendezvous, which was patronized only by brazen spendthrifts and purse-proud princes, where all night the painted drums went don-a-don and the samisen were never silent, and whose satiny corridors lisped with the shu-shu of the velvet foot-palms of scarlet-lipped courtesans. So great was the damsel's beauty that a crowd trooped after them, and the master of the house, when he saw her, felt his back teeth itch with pleasure. The f*****t-cutter told him his tale, as he had been prompted, averring that he was a man whose life had fallen on gloomy ways so that he who had been a man of substance was now constrained to sell his only daughter to bondage. At which the proprietor, his mouth watering at her loveliness and bethinking him of his wealthy clientele, thrust ink-brush into his fist and planked before him a bill-of-agreement providing for her three years' service for a sum of thirty gold ryo paid that hour into his hand. The woodsman would joyfully have signed, but the damsel put forth her hand and stopped him saying: "Nay, my august father! I joyfully obey thy will in this as in all else, yet I pray thee bring not reproach upon our unsullied house by esteeming me of so little value." And, to the master of the place she said: "Methinks thou saidst sixty ryo." He answered: "Were I to give a rin more than forty, I were robbing my children." Said she: "The perfume I used in our brighter days cost me ten each month. Sixty!" Cried he: "A thousand curses upon my beggarly poverty, which constraineth me. Have mercy and take fifty!" At this she rose, saying: "Honorable parent, there is a house in a nearby street frequented, I hear, by a certain prince who may deem me not unattractive. Let us go thither, for this place seemeth of lesser standing and reputation than we had heard." But the master ran and barred the door and, although groaning like an ox before the knacker, flung down the sixty gold ryo, and the woodsman set his name to the bill-of-agreement and farewelled her and went home rejoicing with the money. Then the master, glad at the capture of such a peerless pearl of maidenhood, gave her into the care of his tire-woman to be robed in brocades and jewels, and set her on a balcony, where her beauty shone so dazzling that the halted palanquins made the street impassable, and the proprietor of the establishment across the way all but slit his throat in sheer envy. Moreover, the son of the daimyo of the province, hearing of the newcome marvel, sent to the place a gift of gold, requesting her presence at a feast he was to give there that same evening. Now this feast was held in an upper room overhanging the river, and among the damsels who attended the noble guests, the fox-woman was as the moon to a horde of broken paper lanterns, so that the princely host could not unhook his eyes from her and each and every of his guests gave black looks to whoever touched her sleeve. As the sake cup took its round, she turned her softest smile now to this one and now to that, beckoning to each to folly till his blood bubbled butsu-butsu with passion and all were balanced on the thin knife-edge of a quarrel. Suddenly, then, the lights in the apartment flickered out and there was confusion, in the midst of which the damsel cried out in a loud voice: "O my Prince! One of thy guests hath fumbled me! Make a light quickly and thou shalt know this false friend, for he is the one whose hat-tassel I have torn off." But cried the Prince (for he was true-hearted and of generous mind): "Nay, do each one of you, my comrades, tear off his hat-tassel and put it on his sleeve. For we have all drunk overmuch, and ignorance is sometimes better than knowledge." Then after a moment he clapped his hands, and lights were brought, lo, there was no hat left with a tassel upon it. At this, one of the young blades, laughing at the success of the artifice, began to sing the ancient song which saith: The hat thou lovedst, Reed-wove, tricked out with damask, Ah me, hath blown away, Into the Kamo River- Blown amidst the current. While I wandered seeking it, While I wandered searching it, Day-dawn cam, day-dawn came! Ah, the sawa-sawa Of that rustling night of autumn, There by the water, The spread-out, rustling water! But the damsel, crying that with the affront unavenged she would not choose longer to live, ran into the next chamber and, stripping of her clothes, cast them from the window into the swift current, while she herself, taking on her fox form, leaped down and hid in a burrow under the riverbank. So the party of the Prince rushed in and, finding the window wide and her vanished and seeing the splendid robe borne away by the rushing water, deeming that she had indeed drowned herself, made outcry, and the master of the house plucked out his eyebrows, and his folk and the gallants put forth in many a boat, searching for her fair body all that night, but naught did they discover save only her loincloth. Now on the fourth evening after that, as the f*****t-cutter sat in his doorway, the damsel appeared before him, robed in a kimono of pine-and-bamboo pattern, with an obi of jeweled dragonflies tangled in a purple mist. Asked she: "Have I kept my fox-word?" He answered. "Aye, eight times over. This morning I purchased a plot of rich rice land, and tomorrow the builders, with what remaineth, begin to erect my mansion." Said she then: "Thou art no f*****t-cutter henceforth, but a man of substance. Look upon me. Wouldst thou not have me to wife?" But he, seeing how her carriage was as graceful as the swaying of a willow branch, her flawless skin the texture of a magnolia petal, her eyebrows like sable rainbows, and her hair glossy as a sun-tinted crow's wing, and knowing himself for an untutored hind, knelt in abasement before her and said: "Nay, wise one! Doth the smutty raven mate with the snow-white heron?" Then she said, smiling: "Do my bidding once again. Tomorrow return to the city and to the brothel where thou didst leave me, and offer, as the bargain provided, to buy me back. Since the master of the house cannot produce me, he must need pay over to thee damage money, and see that thou accept not less than two hundred gold ryo." So saying, she became a fox and vanished in the bushes. So next morning he took his purse and crammed it with copper pieces and betook himself across the mountain, and on the third day he arrived at the city. There he hastened to the brothel and demanded its master, to whom he said, jingling the purse beneath his nose: "Good fortune is mine. For, returning to my village three days since to pay my obligations with thy sixty ryo, I found that my elder brother had died suddenly in the next province, leaving to me (since he was without issue) all his wide estates. So I am come to redeem my beloved daughter and to return thee thy gold plus the legal interest." At that the master of the house felt his liver shrink and sought to put him off with all kinds of excuses, but the woodsman insisted the more, so that the other at length had no choice but to tell him that the girl had drowned herself. When he heard this the woodsman's lamentations filled all the place, and he beat his head upon the mats hata-to, crying out that naught but ill treatment had driven her to such a course, and swearing to denounce the proprietor to the magistrates for a bloody murderer, till from dread to see his establishment sunk in evil repute, the man ran to his strongbox and sought to offer the breaved one golden solace. Thus, with two hundred more ryo in gold (for mindful of the maiden's rede, he would take no less) the woodsman returned to his village, with an armed guard of ten men for an escort, where he rented a stout godown for the money's safekeeping. The night of his return, as he sat on his doorstep, thanking all the deities for his good luck, the fox-maiden again appeared before him, this time clad only in the soft moon-whiteness of her adorable body, so that he turned away his face from the sight of it. Asked she: "Have I kept my fox-word?" And he answered, stammering: "Eight hundred times! Today I am the richest man in these parts." Said she: "Look upon me. Wouldst thou not posses me as thy concubine?" Then, peeping despite himself betwixt his fingers, he beheld the clear and lovely luster of her satiny skin, her breasts like twin snow-hillocks, her bending waist, and the sweet hidden curves of her thighs, and all his senses clamored like bells, so that he covered his eyes with his sleeve. And said he: "O generous bestower! Forgive the unspeakable meanness of this degraded nonentity. My descendants to the tenth generation shall burn richest incense before the golden shrine which I shall presently erect to thee. But I am a man and thou art a fox, with whom I may not knowingly consort without deadly sin!" Then suddenly he saw a radiance of the five colors shine rainbow-like around her, and she cried out in a voice of exceeding great joy, saying: "Blessing and benison upon thee, O incorruptible one! As a fox I have dwelt upon the earth for five hundred years, and never before have I found among humankind one whose merit had the power to set me free. Know that by the virtue of thy purity I may now quit this animal road for that of humankind." Then she vanished, and he built a shrine to her in the mouth of the mountain ravine, and it is told that his children's grandchildren worship before it to this day.
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Posted: Sun Dec 17, 2006 5:30 pm
Bijin's Friends/EnemiesLegend smile - Just met whee - Kinda like them 4laugh - Friend's with them redface - Crush heart - Love cry - Kinda don't like them evil - Enemy ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ smile Aurora: He had tea with me! And pretty like me! He's boy too so it is nice to have another pretty boy to play with. 4laugh Kinnara: Kin-sempai is my best friend! We've done all sorts of things together, he even visited Japan with me! I am glad to have someone like him who doesn't care how I look or dress, but cares about my feelings and if I'm happy. smile Rune: He's nice! I helped him make a dam so he could go swimming smile Ure: She's very.........happy. And jumps alot smile Riddy: A very pretty bird girl! I like her wings! smile Todd: He is a nice boy that I bought candy for! smile Aekepai: He's a coyote boy with a flaming tail! I was very nervous around him for awhile but I've gotten better.
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Posted: Sun Dec 17, 2006 5:33 pm
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Posted: Sun Dec 17, 2006 5:34 pm
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Posted: Sun Dec 17, 2006 5:40 pm
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Posted: Sun Dec 17, 2006 5:45 pm
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Posted: Sun Dec 17, 2006 5:53 pm
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Posted: Sun Dec 17, 2006 6:11 pm
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Posted: Sun Dec 17, 2006 6:20 pm
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Posted: Sun Dec 17, 2006 10:12 pm
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