Prairie_Fire
(?)Community Member
- Posted: Sun, 15 Apr 2007 15:51:35 +0000
I want to start this rant of by saying I have Logo. What is Logo? It’s a station dedicated to gay and lesbian entertainment. I ordered this channel because I’m a sucker for good documentaries and education television . You rarely ever see me off Discovery Health Channel. Let me tell ya, this station has some awesome ones that feed into my interest in transgendered men and women. Every now and again though I happen to catch a movie on Logo, yes, where the characters are gay/lesbian and the stories often center around that.
And, about half the time, I find them enjoyable and entertaining.
With that said, if I see another crappy coming out story in the OP/S I’m going to shoot a kitten. Right in the face.
Why the kittens you ask?
1. Homosexuality =/= Character Development.
Fun fact, just because you’re character’s gay doesn’t mean you’re done developing them. Also, making them angry/depressed because they’re gay doesn’t mean you’re done developing them. Apparently, a common misconception about homosexuals is that they have no other traits, good or bad, aside from their sexual preference and everything they think and do and feel stems from this.
I blame the media.
The truth of the matter is, gay people are just like you and me. They can engage in normal, everyday behavior and think and feel an array of human emotions that are completely unrelated to the fact that they are homosexual.
2. Homosexuality =/= Story.
I’m going to say it. I know some people aren’t going to like it, some people are going to spam this thread with, well, spam and incoherent crap about how insensitive I am. But oh well.
A coming out story isn’t a story.
*Dramatic music plays*.
I’ll give you people short stories, a couple of pages, that’s totally fair. But something with chapters? Perhaps it’s because I’ve read too many of these paint-by-numbers crap piles, I cannot say. But do we really need three chapters of a person angsting over being gay, three chapters of them crushing on some AMAZINGLY hot dude/dudette (who has an entire chapter dedicated to how OMG hot he/she is and how the MC doesn’t feel good enough for them), ten chapters about them falling in love (complete with mediocre walking in the park scenes) twenty chapters about their first kiss and the MC realizing who they’ve never felt normal and how everything in the world makes sense and how lucky they are, etc. The big and painfully inaccurate love scene all building up to the ‘climax’ where the parents found out/MC gets beaten up/AIDS ending and the two characters run away to San Francisco because that’s the only place where they’ll ever be understood.
Or someone gets f**-bashed to death.
Look, an entire story in a paragraph. Damn I’m good.
‘BUT PRAIRIE!’ You may be crying ‘THERE IS SO MUCH MOOOOORE!’
Is there? IS THERE?
I don’t know, let’s find out.
3. Turn It On It’s Head.
This is a personal technique I like to use in case of writer’s block or when developing a new story. I got the idea when I learned the movie ‘Beetlejuice’ had originally been intended to be a serious, horror film as opposed to the classic comedy it is today but someone got the idea to, you guessed it, turn the idea on it’s head.
What I’m saying is, if you took any other droll little boy/boy story and put a girl in place of the MC.
‘BUT PRAIRIE, IT’S THE SAME!’
How so? Don’t all young girls have crushes, pine for boys whom they think they can never have? Feel confused over their bodies, their new sexual urges? Date boys their parents hate, that they lose friends over, that they do in secret? Truth is, you slip a girl or guy into the position of ‘Generic Homosexual MC’ and you basically have an episode of Degrassi, or whatever the hell teen drama you kids are watching these days. The story is nothing more than the re-hashed schlop that’s been being fed to thirteen year old girls since the birth of soap operas.
‘WELL, WHAT’S WRONG WITH THAT?’
Nothing, if you’re thirteen.
My point is people are getting all worked up into a lather over these stories simply because the MC’s gender preference is different. Story could be blander than a Dilbert desk calendar and still have people singing it’s praises. The author could just write the phrase ‘boys kissing’ over and over and still have readers throwing their virginity at them for updates. See point #2 for why this is retarded.
4. I’m Not Gay, Hence, I Could Never Understand.
Yeah, I guess not.
This argument is going to come up, and frankly, what else am I supposed to say?
I guess I could say I don’t go and see every goofy, run-of-the-mill romantic comedy that comes out every month. That I don’t see romantic relationships as the basis for an ENTIRE story, not matter how “interesting it is”. And this is coming from a person who’s very character driven and what she reads and writes.
Perhaps that’s my problem. But my problem also is see crap treated like gold because someone in the story is gay. That’s just all around insulting. I’m sorry, it is. Homosexuality isn’t a shtick. It’s not a gimmick. You can’t write horribly clichéd crap and think because your characters are gay that you’re suddenly tapping into some keg of deep and meaning storytelling. Cause you didn’t.
5. So, Are There Any Good Stories With Gay Characters?
Sure there are, you just won’t find them within ten feet of Gaia.
All I’m saying is this:
Gay =/= good.
It doesn’t make you a better writer. It doesn’t make you story a sudden winner. Doesn’t make your characters that much more interesting.
And to the people who read these things; get over yourself and go read some smut cause, let’s just face it, you’re only reading the stories for ‘lol boys kissing lol Harry Potter’.
And, about half the time, I find them enjoyable and entertaining.
With that said, if I see another crappy coming out story in the OP/S I’m going to shoot a kitten. Right in the face.
Why the kittens you ask?
1. Homosexuality =/= Character Development.
Fun fact, just because you’re character’s gay doesn’t mean you’re done developing them. Also, making them angry/depressed because they’re gay doesn’t mean you’re done developing them. Apparently, a common misconception about homosexuals is that they have no other traits, good or bad, aside from their sexual preference and everything they think and do and feel stems from this.
I blame the media.
The truth of the matter is, gay people are just like you and me. They can engage in normal, everyday behavior and think and feel an array of human emotions that are completely unrelated to the fact that they are homosexual.
2. Homosexuality =/= Story.
I’m going to say it. I know some people aren’t going to like it, some people are going to spam this thread with, well, spam and incoherent crap about how insensitive I am. But oh well.
A coming out story isn’t a story.
*Dramatic music plays*.
I’ll give you people short stories, a couple of pages, that’s totally fair. But something with chapters? Perhaps it’s because I’ve read too many of these paint-by-numbers crap piles, I cannot say. But do we really need three chapters of a person angsting over being gay, three chapters of them crushing on some AMAZINGLY hot dude/dudette (who has an entire chapter dedicated to how OMG hot he/she is and how the MC doesn’t feel good enough for them), ten chapters about them falling in love (complete with mediocre walking in the park scenes) twenty chapters about their first kiss and the MC realizing who they’ve never felt normal and how everything in the world makes sense and how lucky they are, etc. The big and painfully inaccurate love scene all building up to the ‘climax’ where the parents found out/MC gets beaten up/AIDS ending and the two characters run away to San Francisco because that’s the only place where they’ll ever be understood.
Or someone gets f**-bashed to death.
Look, an entire story in a paragraph. Damn I’m good.
‘BUT PRAIRIE!’ You may be crying ‘THERE IS SO MUCH MOOOOORE!’
Is there? IS THERE?
I don’t know, let’s find out.
3. Turn It On It’s Head.
This is a personal technique I like to use in case of writer’s block or when developing a new story. I got the idea when I learned the movie ‘Beetlejuice’ had originally been intended to be a serious, horror film as opposed to the classic comedy it is today but someone got the idea to, you guessed it, turn the idea on it’s head.
What I’m saying is, if you took any other droll little boy/boy story and put a girl in place of the MC.
‘BUT PRAIRIE, IT’S THE SAME!’
How so? Don’t all young girls have crushes, pine for boys whom they think they can never have? Feel confused over their bodies, their new sexual urges? Date boys their parents hate, that they lose friends over, that they do in secret? Truth is, you slip a girl or guy into the position of ‘Generic Homosexual MC’ and you basically have an episode of Degrassi, or whatever the hell teen drama you kids are watching these days. The story is nothing more than the re-hashed schlop that’s been being fed to thirteen year old girls since the birth of soap operas.
‘WELL, WHAT’S WRONG WITH THAT?’
Nothing, if you’re thirteen.
My point is people are getting all worked up into a lather over these stories simply because the MC’s gender preference is different. Story could be blander than a Dilbert desk calendar and still have people singing it’s praises. The author could just write the phrase ‘boys kissing’ over and over and still have readers throwing their virginity at them for updates. See point #2 for why this is retarded.
4. I’m Not Gay, Hence, I Could Never Understand.
Yeah, I guess not.
This argument is going to come up, and frankly, what else am I supposed to say?
I guess I could say I don’t go and see every goofy, run-of-the-mill romantic comedy that comes out every month. That I don’t see romantic relationships as the basis for an ENTIRE story, not matter how “interesting it is”. And this is coming from a person who’s very character driven and what she reads and writes.
Perhaps that’s my problem. But my problem also is see crap treated like gold because someone in the story is gay. That’s just all around insulting. I’m sorry, it is. Homosexuality isn’t a shtick. It’s not a gimmick. You can’t write horribly clichéd crap and think because your characters are gay that you’re suddenly tapping into some keg of deep and meaning storytelling. Cause you didn’t.
5. So, Are There Any Good Stories With Gay Characters?
Sure there are, you just won’t find them within ten feet of Gaia.
All I’m saying is this:
Gay =/= good.
It doesn’t make you a better writer. It doesn’t make you story a sudden winner. Doesn’t make your characters that much more interesting.
And to the people who read these things; get over yourself and go read some smut cause, let’s just face it, you’re only reading the stories for ‘lol boys kissing lol Harry Potter’.