tasteslikecanadian
(?)Community Member
- Posted: Fri, 06 Apr 2007 21:07:29 +0000
Writing simply for yourself and not an audience is a form of prose that shall henceforth be termed as literary masturbation. No I am not talking about fanfic with random smut, I am not talking about people who write stories that include sex, although I suppose all of these could also fall under this category. I am talking about writing anything (with the exception of a diary) without an audience in mind.
When you have sex, you want to please the person you are with, not just please yourself. FACT: When the person you are with enjoys sex, you enjoy it more. When you are writing you want the reader to enjoy your story, and give good reviews for it. You then read these reviews and take pleasure in the fact that other people enjoyed what you wrote.
When you write for school, your audience is the teachers, when you write stories with the intention of having them published, you are writing for the publisher, but also for the people you are trying to sell your book to.
For example, you are writing a mystery novel. Your main characters Bob and Gary are trying to find the motive to the murder of Mary-Sue. Mary-Sue had a boyfriend, Jerry as well as a mother, Ellen and a sister, Anne. If you were writing this simply for yourself, you could throw in as many plot twists as you liked, and make it so that when you reach the end of the story, YOU know exactly how it got there. Now let your friend who also likes mystery novels read it. Your friend is the type who gives honest criticism whether you want it or not, and she complains that the story is both too long, and too confusing. You become very upset and vow never to share your work with her again, since you liked it and it was written for you it doesn't matter what she says.
Your friend has a point. You are guilty of literary masturbation and if you submit this story to the publisher, they are going to reject it with the same comments your friend made.
What I am trying to say, is that you, as the author know everything there is to know about your characters and how their minds work. Your reader does not, and as such you need to take out some of the plot twists and allow the novel some semblance of common sense, or explain a lot of the details that you may have allowed to slip through when you were writing.
Since your friend complained that your story was too long and confusing, she clearly did not enjoy it. You want your friend to like your writing, and you go through and begin editing.
-The long descriptive paragraphs about secondary characters can be condensed into short, concise paragraphs giving the minimum information necessary for these characters to perform their function.
-The scene changes need entry and exit points, you cannot simply jump from being at the ranch to halfway across the globe without any indication that they are travelling or that time has passed.
-Clues must be delivered in some way, either by a secondary character, or having a scene in which your main character finds the clue.
-Pivotal plot points cannot be referenced to later in the story if you did not actually write a scene where they happened. Yes I am talking about flashbacks. You cannot flash back to plot points that did not happen, it just doesn’t make sense.
-If you are including a sex scene in your writing, read this or if you are a virgin this before you write another word.
Ok. Ranting done, this topic is open for discussion.
When you have sex, you want to please the person you are with, not just please yourself. FACT: When the person you are with enjoys sex, you enjoy it more. When you are writing you want the reader to enjoy your story, and give good reviews for it. You then read these reviews and take pleasure in the fact that other people enjoyed what you wrote.
When you write for school, your audience is the teachers, when you write stories with the intention of having them published, you are writing for the publisher, but also for the people you are trying to sell your book to.
For example, you are writing a mystery novel. Your main characters Bob and Gary are trying to find the motive to the murder of Mary-Sue. Mary-Sue had a boyfriend, Jerry as well as a mother, Ellen and a sister, Anne. If you were writing this simply for yourself, you could throw in as many plot twists as you liked, and make it so that when you reach the end of the story, YOU know exactly how it got there. Now let your friend who also likes mystery novels read it. Your friend is the type who gives honest criticism whether you want it or not, and she complains that the story is both too long, and too confusing. You become very upset and vow never to share your work with her again, since you liked it and it was written for you it doesn't matter what she says.
Your friend has a point. You are guilty of literary masturbation and if you submit this story to the publisher, they are going to reject it with the same comments your friend made.
What I am trying to say, is that you, as the author know everything there is to know about your characters and how their minds work. Your reader does not, and as such you need to take out some of the plot twists and allow the novel some semblance of common sense, or explain a lot of the details that you may have allowed to slip through when you were writing.
Since your friend complained that your story was too long and confusing, she clearly did not enjoy it. You want your friend to like your writing, and you go through and begin editing.
-The long descriptive paragraphs about secondary characters can be condensed into short, concise paragraphs giving the minimum information necessary for these characters to perform their function.
-The scene changes need entry and exit points, you cannot simply jump from being at the ranch to halfway across the globe without any indication that they are travelling or that time has passed.
-Clues must be delivered in some way, either by a secondary character, or having a scene in which your main character finds the clue.
-Pivotal plot points cannot be referenced to later in the story if you did not actually write a scene where they happened. Yes I am talking about flashbacks. You cannot flash back to plot points that did not happen, it just doesn’t make sense.
-If you are including a sex scene in your writing, read this or if you are a virgin this before you write another word.
Ok. Ranting done, this topic is open for discussion.