So Jasper had 50 years as a vampire on a diet. Less than Edward.
(Dom - the info is on the Lexicon, gleaned form the books or Mrs. Meyer somewhere)
But Sam is working to stop himself from hurting anyone, and to stop anyone else from hurting someone they love in the same way. Hence forbidding Jacob to see Bella. I could understand being touchy about that - but it is not Edward's place to be Bella's Anti-Jacob brigade.
Again: Sam and Carlisle need to talk. They would be best buds in months. No more war, you've got the other half watching your back and your control, Victoria is toast... and I would love to see Edward and Jacob swapping manly stories.
rofl
Oh, yeah, but they're natural enemies.
stare
Only managed about half of the abuse points...
jenner_lee
Edward does not Blame Bella for all his problems.
But he does tell her how much worse she's making everything.
jenner_lee
Bella is only truly frightened of Edward in the meadow because he shows her just how superhuman he is.
Ahem.
"As if you could outrun me... as if you could outfight me..."
Translation: If I want to kill you, you die.
jenner_lee
Edward broke the TV but not in front of her. In fact she didn't even know what broke the only reason we do is because Meyer said it in an interview.
Does that make it any more OK to smash things? Perhaps the TV smashing was not an intimidation attempt - but it was not kosher.
jenner_lee
Jacob the dangerous werewolf.
First - Edward criticizes friends other than Jacob, and criticises Jacob before his transformation. Second - the relative dangers of Edward and Jacob have not been definitively established. Therefore, it seems like justifying Edward's keeping Bella from Jacob is a dooomed argument on either side. Especially since it is in
both of their intrests to be on good terms with the Quilitues, as guickly as possible.
jenner_lee
Yes he broke the bleeding TV!! You can't tell me you've never been really mad broke something? Like a pencil? Pen? Mirror? Edwards so strong a TV would be like a pencil to him.
I'm into technical theatre. When I need to de-tense, I take a three-pound sledge to things.
twisted
OK, so that's an exaggeration. My director wields the sledge; the rest of us stick with power drills. And it is
constructive rage, since the sets need to be demolished anyway.