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Author's Foreword: The following chunk of prose is the opening scene to a modern paranormal romance / faery tale. I'm working on. I wanted the scene to reflect how the lead male character first meets the mortal woman that is to be his soul mate. I wanted to spend little time reflecting on her since the setting is a lucid dream that the lead female character is having. For what it's worth, basis for the lucid dream comes from my own numerous experiences with such dreams. Anyway, my point is that this scene is intended to reflect mostly on the lead male, telling in hopefully just enough detail that the reader understands who he is, and from what viewpoint he enters the scene. Capturing a decent first-impression taste of what kind of person he is, based on my own artistic rendering of his world and its politics, is a crucial first step as I need the reader to know from the first page how the two characters meet, since I intend the rest of the tale to be filled with a very twisted plot that will obviously take a while to tell. So, those of you who offer constructive criticism, please take these intentions into consideration. Grammar and spelling errors that I missed are a welcomed point out as well even though this piece is a first draft.


A Light in the Dark


Kierdon met her one night as he simply strolled through a myriad of mortal dreams, more in search of cures for boredom than hunger for emotion that he normally drew from them to brew into a wine that would empower himself as he drank it. At the end of it all, that’s all a faery ever needed was new energy taken from wherever to replace whatever had already been spent. Light faeries deluded themselves and the world with the lovely little lie that they fed on laughter and gaiety. The dark faeries knew the ugly truth. That was the one thing they never lied about. When they took energy from leaked from others to use for their own purposes, they made the prey quite aware exactly what was happening. The light faeries, they did their taking in plain sight. On the sidewalk, in broad daylight, in the middle of a bustling town, they disguised the hunt as mere play. Pretty flowers that easily lured in what they needed. The dark faeries, for as ugly as their motives tended to be, at least they had the decency to make the hunt less public. If they hunted in public, then they hunted in places where humans knew darkness always lingered, the night clubs, the bars, the casinos and dive halls. Otherwise, they hunted in smaller units, in the dark, and almost always in dreams where their prey were weakest and knew to some extent that they were being exploited.

Once upon a time Kierdon was like the rest of the dark fey. He hunted simply for what he needed and cared only for his own dignity. The end justified the means. However, as he rose through the ranks of power, Kierdon discovered a bubble of discontentment growing within him. He was meant for great things, this he always knew. He was once ruthless in his pursuit of power. Yet, that bubble seemed to grow as he did. A once ignorable flaw became a nagging need that he could not name. All he knew was that his destiny had shifted, and his aim slowly panned to follow the new path. One that searched the worlds for a treasure without a name. One treasure that would finally give him the crown he had earned. It was only after beginning to chase this new dream that he found himself discovering new insights about the universe he waltzed through that made him begin to question the politics of his kind. In time, he questioned his very own actions. Others saw him as one who was splitting from the dark courts and openly taunted him for it. That was, after all, the way of the faery folk. No other people in all the worlds made war quite the sophisticated, grotesquely beautiful, and intimately passionate art-form that it was to the faeries. It was, for all they did to seduce into believing otherwise, what they did best.

It was on a night when Kierdon had spent a great deal of time mulling over faery politics and customs that he happened to stroll into a dream already started by her own mind. He joined the shadows in the scene of a forest bordering a lake. Water lapped gently at the grit and cobble stone shore as a gentle breeze danced through the air carrying the scent of earth and dew. She walked along the beach, barefoot in a white gown that was more befitting medieval times than modern day. As she walked, she looked at everything, an expression on her face saying that she was confused by what she saw. Even the gown she wore, beautiful and painting her as the epitome of the pure maiden with its white fabric and silver accenting embroidery. Her hair, flowing in long waving streams cascading from the crown of her head, would probably have normally been a simple auburn. However, the night had turned it a strange muted dark chestnut by the light of the moon that shone above the lake. Her eyes were turned dark along with her hair to contrast against the paleness of her fairest of fair skin.

Kierdon saw her approaching the cape where he stood amidst rocks that rose up from the shore and trees that dared to grow among them. He knew from the moment he first laid eyes upon that all too innocent and alluring mortal angel that she was something he had never in his life encountered. It wasn’t a bold notion, easy to discern. It was simply something he felt as truth within that part of his soul warned him to pay attention as something important was soon to unfold. Whatever it was that was important about her, he simply couldn't, in good conscience, let it escape him. If it was to destroy him for his bold interception, then so be it. Kierdon lived his life for the moment, and at the moment, his life was something strange and confusing, in need of a catalyst for change.

Without hesitation, Kierdon glamoured himself into the form of a black wolf that took its place to wait in ambush in the shadows. Though he had begun changing some of his hunting tactics, one that never changed was the foreplay. Feeding without foreplay was like tupping without foreplay. Far too bland and boring to be of any use, especially for one at his level of power. The power was one thing he knew he wouldn’t need so much of for this run. A maiden was an easy catch. He simply barked then let out a low and drawn out feral growl that was his statement of challenge as he stared down at her from his rock.

The woman, close up, was a voluptuous one that most likely was anything but pure anymore in life outside this dream. He filed the notation in his head for pondering later of what she had been trying to tell herself before he interrupted. That is, if he still cared after the hunt. Yet as she screamed in initial fright then spun to pick his form out of the darkness, there was something in her eyes that immediately had Kierdon backpedaling for other ideas. Though he could smell the burst of adrenaline injected fright that washed over him like a heady invisible fog, Kierdon didn’t need his nose to know, this woman was anything but afraid of the snarling wolf she had discovered. Her eyes were wide as they met his own pale blue set, yet her hand lifted to her mouth as she seemed to find awe in his presence. Kierdon gave another throaty growl as he placed one paw so he could lean a little closer, showing his glistening white teeth in malice. Yet his attempts to frightened the woman only seemed to draw confusion out of her.

Indeed, as she stood a few paces from the rocks, the woman tilted her head towards the lake as she looked up at him and spoke, “Only one? And why come after me when the forest is sure to have descent game? Wolves never come after people unless they’re desperate. What’s wrong with you?”

This woman, whoever she was, was entirely lucid. Normally, that wouldn’t be much of a problem. However, this one seemed to to also be well educated about wildlife habits. Or perhaps it was something more. Maybe, some part of her sensed the truth as well. He wasn’t really here to feed as much as to simply interact in an on-going personal study of mortals in search of an answer. He had known the moment he set eyes on her she was different. He didn’t anticipate her doing the wooing as she walked into the water where she somehow managed to catch a trout and toss it up toward the growling wolf. Instinct had him shutting up to launch off the rocks, catching the trout as it sailed through the air, then landing on the beach to hold it in his maw while turning to stare incredulously at the woman who watched him.

Kierdon ate the trout, turning the energy she had somehow managed to form from her own dream back into pure edible energy. There was a distinctive spice to it that mirrored her scent. Her own personal imprint on the energy she had selflessly given him. It was like a hook that once swallowed, had him instantly addicted to the taste. After eating the trout, Kierdon eyed her with a new kind of hunger as he slowly paced toward the woman.

“See, I knew it. You were just hungry. If I manage to do that again, can I touch you? Why am I asking this? It’s just a dream!”

Her own indecision after the offer she’d made brought him to bark a growling affirmative to her question, his tail swaying slowly in hope. He could trap her here if he really wanted to, but somehow, he knew he wouldn’t need such tricks with this mortal. After all, she seemed to have seduced him rather well all on her own. This mortal, whoever she was, was special. Powerful. Alluring.

“One more dream trout coming right up. Tomorrow, I need to remember to talk to Rose so she can help me figure out why I’m standing here in a white ren-faire dress feeding trout to a wolf the size of a tiger,” she prattled as she sloshed back into the water to search for more fish. As it was she ended up catching two more trout out of the seaweed bed she’d found the first one lurking in. Both were flung through the air with the same unceremonious manner as the first. Both were just as easily caught and eaten by the wolf that was Kierdon. By the time the third one settled within him, Kierdon found himself somewhat buzzing from overindulgence.

His pale moon-silver eyes blazed brightly in the false dawn as he padded over to the woman walking out of the lake. His voice flowed from his mouth like warm rich honey as he spoke to her, “Come lovely. You have indeed earned the right to touch however you please.”

She gawked at him as she dropped to her knees in a smooth patch of sand, “You talk. With quite a voice worthy of wooing Red Riding Hood, I might add.”

He flopped to the ground, his head falling into her lap to let her coddle all she wished. The fingers that sank into his fur made him groan, “Grandmas are officially off the menu, replaced by ethereal lake trout caught by your.. oh so very talented hands.”

His groans of approval were joined by feminine laughter that played like a well-tuned crystal bell in his ears before she replied, “That is good to hear. I’m afraid I have no more grandmas left to sacrifice.”

“Cheeky witch,” he mumbled. When his eyelids finally managed to open next, he was back in his own world laying in a grassy meadow surrounded by forested mountains yet still wore the unique French vanilla mint scent of the human wench he had hunted. He could still feel her energy flowing through him like ice water, fluid and subtle yet possessing a lingering sting of chill. He would have to hunt her again. There was no choice in the matter. One hit had him so wired that for the moment, as he rose to go hunt his own kind to see how many he could send on to their next lives before his fresh power lost it’s power to drive him into lust for luscious crimson and the screams of those who thought it wise to call him weak for going solitary.

finis


After thoughts: As I went back over the piece to make sure the formatting was all correct after being pasted in from Word, I noticed that I seem to repeat words, the romance is decidedly flat and redundant, and there is one sentence in there that is questionable in terms of meeting the pg-13 rating. I'm open to suggestions of how to make this rather flat scene a little more.. packed with emotions perceivable in the wording. The emotion seems rather forced and fake to me. Is anyone else getting the same reaction, or is it just me being overly critical again?
A Light in the Dark


Akatala
Kierdon met her one night as he simply strolled through a myriad of mortal dreams, more in search of cures for boredom than hunger for emotion that he normally drew from them to brew into a wine that would empower himself as he drank it.


Hmm, the word simply doesn't seem to fit the context. You might possibly do better with the word aimlessly or quietly, or even nonchalantly. In the latter part of your sentence, possibly more commas, and it seems like the word 'rather' would be well used in between 'boredom' and 'than'.

Akatala
At the end of it all, that’s all a faery ever needed was new energy taken from wherever to replace whatever had already been spent.


Seems this could be reworded. "All a faery ever needed in the end, was new energy taken from "" to replace whatever had already been spent.

Akatala
Light faeries deluded themselves and the world with the lovely little lie that they fed on laughter and gaiety.


You repeat the same thing here in the same sentence. Deluded and lovely little lie. I would take out lovely little lie and just say the deluded part.


Akatala
The dark faeries knew the ugly truth. That was the one thing they never lied about. When they took energy from leaked from others to use for their own purposes, they made the prey quite aware exactly what was happening. The light faeries, they did their taking in plain sight. On the sidewalk, in broad daylight, in the middle of a bustling town, they disguised the hunt as mere play. Pretty flowers that easily lured in what they needed. The dark faeries, for as ugly as their motives tended to be, at least they had the decency to make the hunt less public. If they hunted in public, then they hunted in places where humans knew darkness always lingered, the night clubs, the bars, the casinos and dive halls. Otherwise, they hunted in smaller units, in the dark, and almost always in dreams where their prey were weakest and knew to some extent that they were being exploited.


I think you added an extra 'from' in the second line here. Fourth line might be best to use a colon and then continue on to how the light faerys feed.

Akatala
Once upon a time Kierdon was like the rest of the dark fey. He hunted simply for what he needed and cared only for his own dignity. The end justified the means. However, as he rose through the ranks of power, Kierdon discovered a bubble of discontentment growing within him. He was meant for great things, this he always knew. He was once ruthless in his pursuit of power. Yet, that bubble seemed to grow as he did. A once ignorable flaw became a nagging need that he could not name. All he knew was that his destiny had shifted, and his aim slowly panned to follow the new path. One that searched the worlds for a treasure without a name. One treasure that would finally give him the crown he had earned. It was only after beginning to chase this new dream that he found himself discovering new insights about the universe he waltzed through that made him begin to question the politics of his kind. In time, he questioned his very own actions. Others saw him as one who was splitting from the dark courts and openly taunted him for it. That was, after all, the way of the faery folk. No other people in all the worlds made war quite the sophisticated, grotesquely beautiful, and intimately passionate art-form that it was to the faeries. It was, for all they did to seduce into believing otherwise, what they did best.


Well written, but you could change some of your half sentences to full ones.

Akatala
It was on a night when Kierdon had spent a great deal of time mulling over faery politics and customs that he happened to stroll into a dream already started by her own mind. He joined the shadows in the scene of a forest bordering a lake. Water lapped gently at the grit and cobble stone shore as a gentle breeze danced through the air carrying the scent of earth and dew. She walked along the beach, barefoot in a white gown that was more befitting medieval times than modern day. As she walked, she looked at everything, an expression on her face saying that she was confused by what she saw. Even the gown she wore, beautiful and painting her as the epitome of the pure maiden with its white fabric and silver accenting embroidery. Her hair, flowing in long waving streams cascading from the crown of her head, would probably have normally been a simple auburn. However, the night had turned it a strange muted dark chestnut by the light of the moon that shone above the lake. Her eyes were turned dark along with her hair to contrast against the paleness of her fairest of fair skin.


Excellent use of description and variety of the English Language. Well done.

Akatala
Kierdon saw her approaching the cape where he stood amidst rocks that rose up from the shore and trees that dared to grow among them. He knew from the moment he first laid eyes upon that all too innocent and alluring mortal angel that she was something he had never in his life encountered. It wasn’t a bold notion, easy to discern. It was simply something he felt as truth within that part of his soul warned him to pay attention as something important was soon to unfold. Whatever it was that was important about her, he simply couldn't, in good conscience, let it escape him. If it was to destroy him for his bold interception, then so be it. Kierdon lived his life for the moment, and at the moment, his life was something strange and confusing, in need of a catalyst for change.


Again, great description and scene development.


Akatala
Without hesitation, Kierdon glamoured himself into the form of a black wolf that took its place to wait in ambush in the shadows. Though he had begun changing some of his hunting tactics, one that never changed was the foreplay. Feeding without foreplay was like tupping without foreplay. Far too bland and boring to be of any use, especially for one at his level of power. The power was one thing he knew he wouldn’t need so much of for this run. A maiden was an easy catch. He simply barked then let out a low and drawn out feral growl that was his statement of challenge as he stared down at her from his rock.


Your grammar switches from present to past unnecessarily. Try rewording some of the sentences in this paragraph.

Akatala
The woman, close up, was a voluptuous one that most likely was anything but pure anymore in life outside this dream. He filed the notation in his head for pondering later of what she had been trying to tell herself before he interrupted. That is, if he still cared after the hunt. Yet as she screamed in initial fright then spun to pick his form out of the darkness, there was something in her eyes that immediately had Kierdon backpedaling for other ideas. Though he could smell the burst of adrenaline injected fright that washed over him like a heady invisible fog, Kierdon didn’t need his nose to know, this woman was anything but afraid of the snarling wolf she had discovered. Her eyes were wide as they met his own pale blue set, yet her hand lifted to her mouth as she seemed to find awe in his presence. Kierdon gave another throaty growl as he placed one paw so he could lean a little closer, showing his glistening white teeth in malice. Yet his attempts to frightened the woman only seemed to draw confusion out of her.


This paragraph is contradictory. You state at the beginning that she has an inital fright, yet a little later you say the woman is not afraid at all. Might want to change intial fright to initial surprise or something like that.

Akatala
Indeed, as she stood a few paces from the rocks, the woman tilted her head towards the lake as she looked up at him and spoke, “Only one? And why come after me when the forest is sure to have descent game? Wolves never come after people unless they’re desperate. What’s wrong with you?”

This woman, whoever she was, was entirely lucid. Normally, that wouldn’t be much of a problem. However, this one seemed to to also be well educated about wildlife habits. Or perhaps it was something more. Maybe, some part of her sensed the truth as well. He wasn’t really here to feed as much as to simply interact in an on-going personal study of mortals in search of an answer. He had known the moment he set eyes on her she was different. He didn’t anticipate her doing the wooing as she walked into the water where she somehow managed to catch a trout and toss it up toward the growling wolf. Instinct had him shutting up to launch off the rocks, catching the trout as it sailed through the air, then landing on the beach to hold it in his maw while turning to stare incredulously at the woman who watched him.


You could possibly explain this a little better. Everything runs together here. Take some time to explain things slowly and clearly. Other than that, this part was interesting.

Akatala
Kierdon ate the trout, turning the energy she had somehow managed to form from her own dream back into pure edible energy. There was a distinctive spice to it that mirrored her scent. Her own personal imprint on the energy she had selflessly given him. It was like a hook that once swallowed, had him instantly addicted to the taste. After eating the trout, Kierdon eyed her with a new kind of hunger as he slowly paced toward the woman.

“See, I knew it. You were just hungry. If I manage to do that again, can I touch you? Why am I asking this? It’s just a dream!”

Her own indecision after the offer she’d made brought him to bark a growling affirmative to her question, his tail swaying slowly in hope. He could trap her here if he really wanted to, but somehow, he knew he wouldn’t need such tricks with this mortal. After all, she seemed to have seduced him rather well all on her own. This mortal, whoever she was, was special. Powerful. Alluring.


Interesting ideas in this part, and wonderful use of words yet again to describe the way the wolf feels in an animalistic manner. You did a great job of this.

Akatala
“One more dream trout coming right up. Tomorrow, I need to remember to talk to Rose so she can help me figure out why I’m standing here in a white ren-faire dress feeding trout to a wolf the size of a tiger,” she prattled as she sloshed back into the water to search for more fish. As it was she ended up catching two more trout out of the seaweed bed she’d found the first one lurking in. Both were flung through the air with the same unceremonious manner as the first. Both were just as easily caught and eaten by the wolf that was Kierdon. By the time the third one settled within him, Kierdon found himself somewhat buzzing from overindulgence.

His pale moon-silver eyes blazed brightly in the false dawn as he padded over to the woman walking out of the lake. His voice flowed from his mouth like warm rich honey as he spoke to her, “Come lovely. You have indeed earned the right to touch however you please.”

She gawked at him as she dropped to her knees in a smooth patch of sand, “You talk. With quite a voice worthy of wooing Red Riding Hood, I might add.”


The last quote by the woman may need to be changed to a mood of shock, surprise, or even awe. A period doesn't quite cut it with punctuation here.

Akatala
He flopped to the ground, his head falling into her lap to let her coddle all she wished. The fingers that sank into his fur made him groan, “Grandmas are officially off the menu, replaced by ethereal lake trout caught by your.. oh so very talented hands.”

His groans of approval were joined by feminine laughter that played like a well-tuned crystal bell in his ears before she replied, “That is good to hear. I’m afraid I have no more grandmas left to sacrifice.”


Nice reference to an already made fairy tale.

Akatala
“Cheeky witch,” he mumbled. When his eyelids finally managed to open next, he was back in his own world laying in a grassy meadow surrounded by forested mountains yet still wore the unique French vanilla mint scent of the human wench he had hunted. He could still feel her energy flowing through him like ice water, fluid and subtle yet possessing a lingering sting of chill. He would have to hunt her again. There was no choice in the matter. One hit had him so wired that for the moment, as he rose to go hunt his own kind to see how many he could send on to their next lives before his fresh power lost it’s power to drive him into lust for luscious crimson and the screams of those who thought it wise to call him weak for going solitary.

finis


Overall I enjoyed the story thoroughly. Very well written and great description. With a little bit of work you could easily turn this into a pleasure for all to read. Of course, you'll need to add more as well wink Keep it up!
I really enjoyed it as well, but I agree that there are small parts where the romance lines seem a bit repetitive, if not forced, but the descriptions are still done fabulously. You seem to have a problem with run-ons. That also makes it a bit confusing. If you want, I can find the specific sentences that were so long, or without proper punctuation that I lost the meaning of it. Besides that, your new twist on the fae folk is very interesting and I can't wait to read more! One more thing. Unless you were planning on expanding it later, I would like to know the specifics on his new dream, or thirst for power and him finding flaws in their politics. Could you possibly mentioned how he changed and why?

And also what the politics of the fae folk are and why he disagreed with them? Just to make our image of him more clear biggrin Oh, and after going back, it might not necessarily be that you have run ons, but that your wording can be very awkward. I can give you a much more detailed editing if you want, unless you want to find the errors on your own.
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I want to take a brief moment in my suddenly hectic schedule to thank both of you for replying. When I get time to return some much needed attention to this piece, I will work at making the recommended changes as I find most of them completely on the mark. Thank you for pointing out my errors and weaknesses. This is a brand new idea so it hasn't had the time that it's sibling tales have had to be refined into anything more than a couple of characters mixed with a couple of ancient myths and kicked into the 21st century with barely a backbone of a plot as of yet. This dream scene of the girl's was my attempt at letting the characters tell the story as I generally prefer to do. It is their story anyway after all.

Tiger, may I pm you? You're right about the piece lacking some key info on the politics I spoke of, but I'm unsure as to where I should insert them. Perhaps it's just that it's pas 3am and I can't think straight, but I would be happy to give out a few spoil details for the purpose of deciding where they need to go. I promise the extra info won't ruin the story should I manage to create more to add on. Though, if I do, I'll probably be posting excerpts since my full chapters tend to be around 5k words.
I'm going to make some sociological guesses.
1. You like to write. You pride yourself in your writing. Only long-time writers write thousands of words, with no heed that the reader is discouraged by the size. I do this.
2. You are interested in myths/legends, mostly Anglicized and romanticized, but consider yourself a little more learn`ed than most. That, or the 'faeries' spelling has become mainstream once more, as well as the Celtic 'fey'. You should check out the Tuatha De Danan, and the Sidhe. Incubi/succubi are of interest to you.

Now that I have a brief, possibly misguided background, COMMENCE!

a. "...hunger for emotion that he normally drew from them to brew into a wine that would empower himself as he drank it."
THis wording is inelegant, trying to reveal too much in one space. Perhaps explain the brewing later, in his thoughts, or in dialogue with another.
b. The whole second paragrapth is 3rd Person Omniscient abuse. You don't tell the story in the narrator's voice. You tell it in the actions, thoughts, dialogue, and motivations of the characters. They didn't SAY 'Ach, but Frodo was constantly under pressure from the Ring, making him mistrust his friends and leading him inexorably into an abyss from which no one could save him.' The writer SHOWED it in Frodo's actions.
It convinces the reader a great deal when Bilbo delivers his final speech to his family and friends in a halting, drawn out goodbye, instead of Tolkien writing 'Bilbo was still anxious, and wasn't sure what he was going to do next, whether he REALLY wanted to go throught with it.'
Histories written in 3rd Person Omniscient are a writer's cheap way to introduce a background, easy and fast, 'got that outta the way, now we move to the mackin' out!'. Draw out the introduction, make the reader wonder about Kierdon's past, his motivations. Have him reveal it a bit at a time, thought not in a long, drawn out explanation to his lover. SHow it in the way he views his comrades with silent contempt, the way he grips something tightly when he sees other faeries, etc.
c. Second sentence in the fourth paragraph comes to my attention.
'Sigh'...this is why I cannot stand romance novels. Everything is idealized, made perfect by the writer, and eaten up by a reader so filled with their own fantasies to realize that the story is the same one they have read eighteen times before.
You don't WRITE 'Holy living SHIBAGGEN! It's my SOULMATE. Right, got the tattoo on the forehead and ev'rything! Cor!'. You have your main char. feel something deep in his stomach, a warm blossoming in his chest, his mind stopping and filling with the simple sight of her. Get poetic, creative! He doesn't know IMMEDIATELY that this person is perfect, just the outside. In fact, have him think something like 'Nothing that perfect could ever be anything else inside.', have him so struck by the sheer perfection of her beauty that the reader thinks 'Hey...this lady is special, different from all the other beautiful maidens in all the other romance stories.'
You do this by making your heroine a special character, beyond her perfect body and all the adjectives thereof. Make her different from all other characters in stories, just enough to show that she could actually be real.
I realize that I've gotten onto the rant-path with the romance genre, but I believe it nonetheless. My advice: Look at the books you read, look at the books you admire, and think: What kind of things can I throw into my plot, what kind of characters can I make that will create a story different from all others, not completely, but enough to make it special?
Right now, you have the vocab, you have the grammar, you have a kind of style. Now, you need to find a way to turn this bucket o' cliched plot (Beautiful man with sordid past, beautiful woman, both confident and competent, trading witty, flirty banter with danger in the background) into something different, something new. The dream/fairy spin should be capitalized on; what kind of person is the girl outstide the dream? What kind of world does this man live in? You allude to complex politics and fairy courts, but I need something more tangible, more believable and relatable. Where are their flaws, their fears, their selfishness? What kind of mannerisms, hobbies, interests do they have? What, besides one another, do they care about?
This is all very allegorical/ethereal, but I hope it makes you reassess your goal here. You can have all the wonderful visuals you want, but take away 'fairy' pretext (Which could become what makes your story special) and the poetic license, and basically have a standard paperback romance novel with a name like 'Dangerous Passion'. You can do better.
Akatala
I want to take a brief moment in my suddenly hectic schedule to thank both of you for replying. When I get time to return some much needed attention to this piece, I will work at making the recommended changes as I find most of them completely on the mark. Thank you for pointing out my errors and weaknesses. This is a brand new idea so it hasn't had the time that it's sibling tales have had to be refined into anything more than a couple of characters mixed with a couple of ancient myths and kicked into the 21st century with barely a backbone of a plot as of yet. This dream scene of the girl's was my attempt at letting the characters tell the story as I generally prefer to do. It is their story anyway after all.

Tiger, may I pm you? You're right about the piece lacking some key info on the politics I spoke of, but I'm unsure as to where I should insert them. Perhaps it's just that it's pas 3am and I can't think straight, but I would be happy to give out a few spoil details for the purpose of deciding where they need to go. I promise the extra info won't ruin the story should I manage to create more to add on. Though, if I do, I'll probably be posting excerpts since my full chapters tend to be around 5k words.

Sure, I'd be happy to help! 3nodding
Sirch Hanom

b. The whole second paragrapth is 3rd Person Omniscient abuse. You don't tell the story in the narrator's voice. You tell it in the actions, thoughts, dialogue, and motivations of the characters...""...Histories written in 3rd Person Omniscient are a writer's cheap way to introduce a background, easy and fast, 'got that outta the way, now we move to the mackin' out!'. Draw out the introduction, make the reader wonder about Kierdon's past, his motivations. Have him reveal it a bit at a time, thought not in a long, drawn out explanation to his lover. SHow it in the way he views his comrades with silent contempt, the way he grips something tightly when he sees other faeries, etc.


1. sorry for the edit, I just took out the LOTR alliterations here as they didnt need to be quoted, and put the continuation on both ends to show something belonged there.

2. I agree completely with this statement. Showing emotion rather than telling is what allows readers to very easily visualize the situation. More importantly, it lets the reader BECOME that specific character in that moment of time.

Telling is good for history backdrops that aren't too important, though I choose to do flashbacks for those anyways lol. Flashbacks provide more sustenance to the overall quality of the story. It also allows an aspect you can't get by telling. That "becoming the character" feeling. Putting the reader in the experience of a well made flashback is like going into the past of the character for real. It brings a strong attachment to said character and creates a more realistic view of them. However, flashbacks aren't always necessary or needed. So telling is also good, in certain parts and when used very sparingly.

Sirch Hanom

c. Second sentence in the fourth paragraph comes to my attention.
'Sigh'...this is why I cannot stand romance novels. Everything is idealized, made perfect by the writer, and eaten up by a reader so filled with their own fantasies to realize that the story is the same one they have read eighteen times before.
You don't WRITE 'Holy living SHIBAGGEN! It's my SOULMATE. Right, got the tattoo on the forehead and ev'rything! Cor!'. You have your main char. feel something deep in his stomach, a warm blossoming in his chest, his mind stopping and filling with the simple sight of her. Get poetic, creative! He doesn't know IMMEDIATELY that this person is perfect, just the outside. In fact, have him think something like 'Nothing that perfect could ever be anything else inside.', have him so struck by the sheer perfection of her beauty that the reader thinks 'Hey...this lady is special, different from all the other beautiful maidens in all the other romance stories.'
You do this by making your heroine a special character, beyond her perfect body and all the adjectives thereof. Make her different from all other characters in stories, just enough to show that she could actually be real.


Again, A very good point was made here that I believe I forgot to mention. Romance and the Miss Perfect, Mr. Perfect cliche. Not a good idea. First, its been used and used and overused way too much to even have any meaning anymore. You want to describe the affection in great deal. such as how he views her. What he smells when he is near her. How he interacts with her. Does he hesitate? Does he stutter? Does he boast? All these can be taken into effect on his reaction to her presence. All of which will describe the type of emotion and affection he is feeling towards her.

Try to avoid words/phrases like "the right one", "the perfect one", "soulmate" "true love" etc, etc. If you do, your readers will be much more impressed and you'll be overly satisfied on your ability to meld the characters together in a natural way, rather than using unnatural words that just don't quite fit the setting.

Using emotion/actions instead of simple words to describe something will make the difference between a casual read and a heart thumping pleasure.
Flashbacks...much more effective in visual mediums (TV, Movies). This comes across as a much-used device, another, easy way to introduce background fast. I wouldn't recommend flashbacks in large amounts; one or two max.
If I flashback in a story, it's little fragments, like sitting in an empty chair in a silent living room, playing with a necklace on the floor, nothing too big. Let the reader draw the conclusion you want them to, but let them do it. However, flashbacks like Sasuke's in Naruto, pertaining to his brother (The face), the repeated flashback that reveals tantalizing information a tiny, little bit at a time, is tedious. Make hints in flashbacks, not explanations, is my modus operandi.
A good flashback is hard to come by: Got to get all the information in, make sure it doesn't seem to cheap, make it relatable, not an author's device but an convenient occurence that you desperately want. And believe.
Sirch Hanom
Flashbacks...much more effective in visual mediums (TV, Movies). This comes across as a much-used device, another, easy way to introduce background fast. I wouldn't recommend flashbacks in large amounts; one or two max.
If I flashback in a story, it's little fragments, like sitting in an empty chair in a silent living room, playing with a necklace on the floor, nothing too big. Let the reader draw the conclusion you want them to, but let them do it. However, flashbacks like Sasuke's in Naruto, pertaining to his brother (The face), the repeated flashback that reveals tantalizing information a tiny, little bit at a time, is tedious. Make hints in flashbacks, not explanations, is my modus operandi.
A good flashback is hard to come by: Got to get all the information in, make sure it doesn't seem to cheap, make it relatable, not an author's device but an convenient occurence that you desperately want. And believe.


I tend to use flashbacks when I want the reader to know a certain part of the character's history. An explanation of why they act or think a certain way. Though I do agree, using them too much can cause confusion and disarray in a story, and they can be extremely tedious to apply. However, using them in the right places at the right times can be quite effective.

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