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HEY KIDS!
BILL MAHER WANTS US TO DRIVE NAILS THROUGH OUR EYEBALLS!
Wanna do it
Wanna do it
Wanna do it
**(Strip dance!)
*****I wrap another wasted child to my chest
*****as Goldilocks explodes on the screen.
*****(Oh, did I say explodes?
*****Must have been intentional
*****due to my upbringing.)
*****Someone cuff me! (I’m a thug!)
*****I am mister Muzzle-Man, with grizzly teeth
*****that snag against my prayer rug.


AHA!


“I’m only 8,356.06 miles away…

*************Bricks are raining from the sky

****************************…from the nearest terror base.”

****************************************bing and bang like genocide

“Mom, I’ll auction my libido—

*************Trojan horses snap and bite

***************************if you vote the palomino.”

************************************burned and branded, hide by hide



******************** (Oh look, its wearing a turban!)
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I honestly dont know what happened to me whilst writing this (Brain shock!). Had lots of difficulty getting Gaia-format to look like my Microsoft Word document, too.

I'd appreciate it if the comments solely critiqued my poetry, and not my political orientations. Thank you.


^^
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Dangerous Phantom

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This poem is a bit frazzled, but good. The first bit of the poem almost turned me away, simply because of the nonsense of it all, but it didn't, and I am glad I stayed.

After the strip dance, the poem, to me, goes from being childish and making me wonder what I'm reading to being exceptional. You use very provocative images, Goldilocks and the prayer rug being the ones that stuck out in my mind. Somehow the parts in parenthesis make the poem seem more childish as well, but the idea of it still comes across, and indeed maybe the childishness of parts of it merely deepens the impact.

The transitions are crass, but I have a feeling they are meant to be. Overall, I find this to be a well written poem disguised by its first lines. Your imagery is very well done, terrible, but well done. Brava dear poet, Brava.
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FrostedMidnight
This poem is a bit frazzled, but good. The first bit of the poem almost turned me away, simply because of the nonsense of it all, but it didn't, and I am glad I stayed.

After the strip dance, the poem, to me, goes from being childish and making me wonder what I'm reading to being exceptional. You use very provocative images, Goldilocks and the prayer rug being the ones that stuck out in my mind. Somehow the parts in parenthesis make the poem seem more childish as well, but the idea of it still comes across, and indeed maybe the childishness of parts of it merely deepens the impact.

The transitions are crass, but I have a feeling they are meant to be. Overall, I find this to be a well written poem disguised by its first lines. Your imagery is very well done, terrible, but well done. Brava dear poet, Brava.



*Faints with the shocking beauty of such a comment*

Why, thank you! I am very pleased that you were able to enjoy my poem, and not simply dismiss it as a jumble of gibberish strung with the excuse of free-versed poetry. Heheh. ^^''

Indeed, the childish statements (and the intro) were intentionally done that way. I wish to ridicule the immature, submissive nature of the audience, and perhaps how the "Mr. Muzzle-Man" himself has adopted their ways. Like George Orwell's "the oppressed feeding into their own oppression" theory, or the self-hating psychology that sometimes develops due to social pressure (Pro-Nazi Jews?). I wanted them all to sound ironically stupid.

I am deeply grateful for your input, however, as it has done much to lift my mood. Is there perhaps anything I need to work on? (critique)

Once again, my hat goes off to you!
I think if there was any doubt, this poem makes you the Vulnavia to my Dr. Phibes for sure. Marvelous television spoof you have there in the front section. It doesn't let up, and the suggestion of strapping a child to your chest like a bomb is quite good, especially when stacked against the prerogatives of the exploding all-American girl, Goldilocks.

If I was to be critical of any area of this piece, my guns would be leveled at the last two stanzas. I get the feeling that your lines here wish to be couplets, yet your narration has been meshed together like fingers into an ABAB alternating pattern. I found myself having difficulty on how to get a bead on the read, and I think part of it is fine-tuning the syllable count and when the alliteration is supposed to happen.

Perhaps your italicized section should be a simulated ridiculous news briefing which alternates with your voice (being drowned out, or scattered). Also I found myself questioning the use of 8,356.06, is a number that exact really needed for the purpose of humor? It could be messing up your syllable count there.

I did like the onomatopoeia of bing and bang being connected to genocide, for one it's silly and two it goes with the idea of how far removed the viewer is from real tragedies. However, I didn't like its pattern-mirror, the "burned and branded, hide by hide" line, so much. The B and H alliteration doesn't seem as purposeful, rather it seems to be more directed towards highlighting the redundancy or internal referencing of this passage. I get the sense this area needs more external support, since not only must you work with the distance of meaning between burned and branded, but also come to terms with the quicksilver ambiguity of "hide by hide." Are Trojan horses the same as sand people / terroristos in hiding? You've got some uncharted territory to explore...if the horse was originally a Greek vehicle, a western civilization thing...well it's a symbolic reversal. It's like you're saying American Television accuses Muslims of being what we (Americans) are.
*grabs the butterfly net and runs around the thread, trying to catch all those nice, big words that would be needed for a somewhat intelligent comment*
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Power Armor Felix
I think if there was any doubt, this poem makes you the Vulnavia to my Dr. Phibes for sure. Marvelous television spoof you have there in the front section. It doesn't let up, and the suggestion of strapping a child to your chest like a bomb is quite good, especially when stacked against the prerogatives of the exploding all-American girl, Goldilocks.

If I was to be critical of any area of this piece, my guns would be leveled at the last two stanzas. I get the feeling that your lines here wish to be couplets, yet your narration has been meshed together like fingers into an ABAB alternating pattern. I found myself having difficulty on how to get a bead on the read, and I think part of it is fine-tuning the syllable count and when the alliteration is supposed to happen.

Perhaps your italicized section should be a simulated ridiculous news briefing which alternates with your voice (being drowned out, or scattered). Also I found myself questioning the use of 8,356.06, is a number that exact really needed for the purpose of humor? It could be messing up your syllable count there.

I did like the onomatopoeia of bing and bang being connected to genocide, for one it's silly and two it goes with the idea of how far removed the viewer is from real tragedies. However, I didn't like its pattern-mirror, the "burned and branded, hide by hide" line, so much. The B and H alliteration doesn't seem as purposeful, rather it seems to be more directed towards highlighting the redundancy or internal referencing of this passage. I get the sense this area needs more external support, since not only must you work with the distance of meaning between burned and branded, but also come to terms with the quicksilver ambiguity of "hide by hide." Are Trojan horses the same as sand people / terroristos in hiding? You've got some uncharted territory to explore...if the horse was originally a Greek vehicle, a western civilization thing...well it's a symbolic reversal. It's like you're saying American Television accuses Muslims of being what we (Americans) are.



Power Armor Felix, alas! I fall to my knees with gratitude for your epic commenting. mrgreen

(( Vulnavia + Cookies = Aya ))


Yay! Television-spoof not disregarded! (Most people dont like it, usually). *Swiftly tips her hat in Eminem's direction, for the fiery inspiration*

Hm.. I really wasnt sure what to do with that couplet-part. I wanted them to mesh nicely, but no matter how hard I stirred, they wouldnt unify. To me, the italic is a drowned out echo, like a conversation in the background, beyond/behind the scene itself. I'm not sure I accomplished that, though.

Oh, and the 8,356.06 is a reference to my current distance from the Kabah. And no, I didnt necessarily need anyone to "discover" that or "jump to this correct conclusion", its more of an embedded fun-fact. (My thanks go out to Google, for giving me such accurate results ;D )

I'm not sure about the flow it makes though. In my opinion, when the human mind sees such a big number it just blurs it out and skips it. It gets cropped to something like "I'm only 8 miles" or "I'm only 8 thousand miles" or "I'm only 83 miles.." etc. But when reading it out loud, its like a stake where the sun dont shine. I'm not sure if its a total bad thing. *Muses this issue over*

Hm... The last part about Trojan horses is kinda baffling me. I say this because although you say you didnt particularly enjoy it, your explanation to as *why* you didnt like it is exactly what I wanted it to be. XD

Reread that sentence you gave me. "Its like you're saying American television accuses Muslims of being what we (Americans) are." I tried echoing this with Americans bidding on the Palomino as well. (A blonde horse wearing a turban.)

So I'm completely torn.


Your critique is much appreciated, oh poetry-master. I can only be honored that you took so much time on my mortal work. XD


Am I improving at all?
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Seretti
*grabs the butterfly net and runs around the thread, trying to catch all those nice, big words that would be needed for a somewhat intelligent comment*



You mustn't fear the nature of these lengthy comments, as they are only pure MIND-SHOCKS when reduced to their original size! Dont let them intimidate you, Disa! The dinosaur within will not waver before prolonged explanations!

Remember; in reality we're only clueless human beings trying to sound more sophisticated than we are taken to be by manipulating language.


mrgreen mrgreen mrgreen
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Wounded Huntress


Power Armor Felix, alas! I fall to my knees with gratitude for your epic commenting. mrgreen

(( Vulnavia + Cookies = Aya ))


Yay! Television-spoof not disregarded! (Most people dont like it, usually). *Swiftly tips her hat in Eminem's direction, for the fiery inspiration*

Hm.. I really wasnt sure what to do with that couplet-part. I wanted them to mesh nicely, but no matter how hard I stirred, they wouldnt unify. To me, the italic is a drowned out echo, like a conversation in the background, beyond/behind the scene itself. I'm not sure I accomplished that, though.

Oh, and the 8,356.06 is a reference to my current distance from the Kabah. And no, I didnt necessarily need anyone to "discover" that or "jump to this correct conclusion", its more of an embedded fun-fact. (My thanks go out to Google, for giving me such accurate results ;D )

I'm not sure about the flow it makes though. In my opinion, when the human mind sees such a big number it just blurs it out and skips it. It gets cropped to something like "I'm only 8 miles" or "I'm only 8 thousand miles" or "I'm only 83 miles.." etc. But when reading it out loud, its like a stake where the sun dont shine. I'm not sure if its a total bad thing. *Muses this issue over*

Hm... The last part about Trojan horses is kinda baffling me. I say this because although you say you didnt particularly enjoy it, your explanation to as *why* you didnt like it is exactly what I wanted it to be. XD

Reread that sentence you gave me. "Its like you're saying American television accuses Muslims of being what we (Americans) are." I tried echoing this with Americans bidding on the Palomino as well. (A blonde horse wearing a turban.)

So I'm completely torn.


Your critique is much appreciated, oh poetry-master. I can only be honored that you took so much time on my mortal work. XD


Am I improving at all?


It's cool that the mileage contains easter eggs; and your skills and interest generation have always been formidable (otherwise I wouldn't be hovering).

I think what I'm seeing in the last stanzas is more about what you're attempting poetically, the aesthetics and all.

Quote:
“Mom, I’ll auction my libido—
if you vote the palomino.


This bit is super condensed, it almost begs the question and extrapolation of how would one auction their libido? I wonder if it means if the daughter will rebel if the mother votes for the white guy? Another thing is in this section you use abstract specific words

Quote:
Bricks are raining from the sky


whereas here you use a different type of ammo, concrete generic words. I can't put my finger on it, but my gut says the synchronization isn't 100% when running from your scathing statements to the support lines. Especially with the horsey-condom connection, your libido / palomino rhyme is the true star of the show with the Trojan and violent actions being tag-alongs...these latter elements could be honed I say.

NIN - 1,000,000

Some music that may be spiritually-related to your poem by means of a Big Number ancestor. mrgreen (Industrial, but seems like Thrash, eh?)
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Power Armor Felix


Ofcourse! I have learned the vitality of eastereggs from years of training at your experienced hands. mrgreen ( ninja )

I like your interpretations of my word choice. I will rethink your tips carefully. *Salute*

Oh and I also like how the NIN guy sounds so pissed in this song. If only he'd burst into lunatic laughter at some point. I'd make him my poem voice-actor. >D

Methinks this song goes well with the poem: http://www.youtube.com/watch?v=HumePIkmTtQ

But thats probably just because its insane. >D

*Tips hat* I am ever so grateful for your input!

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