balance and composure
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- Posted: Wed, 08 Feb 2012 05:38:09 +0000
Well, things have more or less been sorted out.
The Brotherhood is stuck with Hugh and the X-Men get Azazel. Other than his status as a telepath, Hugh is nearly useless and isn't much of a character. He imagines that Azazel isn't much better, considering that he's just joined a faction that helped send his former leader into mortal exile, but like Logan said, he's obviously more of a fighter than a diplomat. The Brotherhood has never been about solving problems without payment in blood.
Elwood lags behind as the room begins to empty itself. The professor is the first to leave, Erik departs fumingly, Raven takes Azazel ********, and Logan is out and about, leaving the tall man with the telepath.
Hugh turns to look at Elwood looming out of the dusk's light and narrows his eyes. "I don't understand your issue with me."
Elwood stares at him silently, face blank and unresponsive until he smiles and lifts himself from the bookshelf, stepping over to Hugh and leaning down to breach his personal space. Their noses are nearly touching as he tilts his head and his expression twists into a dark, cold thing.
"Because you are a coward and I have absolutely no patience for people like you."
Leaving Hugh petrified by the nastiness of his reply, Elwood straightens up, pats the man gently on the head, and exits the room. He has one hand in his pocket and one lagging behind with the gas mask in its clutch, though he's not intending to head outdoors for a while. No, no, the first thing on his mind, really, is Logan, and wherever the abrasive creature might have gone. Possibly outside? No. Elwood decides that he'll check the inside of the mansion before having to leave the comfort of the indoors. Judging by his calm and nearly careless stride, one wouldn't guess at his conviction to locate his usual victim. That is, until he passes the kitchen, stops dead, and mechanically backs up and inside when he finds said victim.
Elwood doesn't say anything right off the bat; no unintentionally strange greetings, no taunts. He leans on the counter and sets his mask on the top, putting his chin on his knuckles and baring his teeth in a grin. "Sounds like you'll get to be making friends with the devil, Dog-tags."
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From the looks of things, it seems as though the red man is going to be in the X-Men. Pietro is unsure of this, because wasn't the red man a bad guy just last month? And suddenly, he's a good guy? People don't change that quickly. Pietro knows this because it took ten years for Charles and Erik to get along again and ten years is a very, very long time. But, he supposes that if Charles says it's okay, then it is. He trusts the professor enough to believe his assurances.
Pietro is quick to hide when the meeting is over, crouching at the top of the stairs and waiting until Charles is gone to move. As he stands up, he recalls that, oh, there were other people present at the meeting and immediately retreats back to his own room. He isn't sure how well received he would be if he was caught eavesdropping. This thought stays with him as he closes the door, but leaves a big enough crack to peer out of. He isn't sure what he's waiting for--Raven, Charles, Erik? None of them sounded happy during the meeting. Does he really want to encounter any of them for the rest of the day?
He catches a glimpse of Erik passing by his room and thinks, yes.
The boy waits for a few moments and opens his door again, craning his head out into the hallway to watch Erik's back. He squints and thinks hard about following the man. Should he? Will he?
Yes.
Pietro shuffles down the hall as silently as he possibly can, slowly and surely and wary of sound. It takes at least two minutes for him to get around to Erik's room, at which point he only leans into the doorway instead of standing smack in the middle of it because he's terribly unsure of the man's temperament and the last thing he wants to do is make him angry.
"...What's wrong?" The boy asks softly, putting his hands on the door frame to steady himself (and also to prepare for immediate departure, should Erik be in a most foul, foul mood).