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First of all, Rachel going for her dreams is not selfish. What is selfish, however, is her constantly stepping over people to make those dreams come true. For the past three years, she's been stringing Finn along, and he has always had to take a back seat to her.
Except... she really hasn't. During her sophomore and junior years of high school, she wanted to date a guy she liked. Sometimes they did date, and sometimes they didn't. Pretty normal stuff. However, at the end of her junior year, she decided that she was going to Broadway. That was her dream and that was her love, and that's what she was going to do. Then Finn wanted to get back together. At first she said no, but finally agreed to date him again as long as he realized that she was going to New York after they graduated. Rachel made it very, very clear in the New York episode that if they were going to date, Broadway was still going to come first for her. She wasn't going to give that up. And Finn accepted that.
Rachel has not been stringing Finn along. He has known full well this whole time, especially in the last year, what Rachel wanted for her future and from him. (Note that, at that point, Rachel really didn't care if Finn came with her or not to NY.)
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If Finn were fine with that, no problem. But he's obviously not. In fact, when he has broken up with her, Rachel then goes and gets all jealous when he's dating someone else. That's not fair. You're either with Finn or you're not.
And Finn has done the same thing to Rachel. See Jesse's Girl and Prom Queen. Two of the big ones.
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He's told her more than once that his dreams have to matter in their relationship, too. But Rachel won't listen, and she has no right to string Finn along like she has been doing.
First off, has Finn ever told her that his dreams have to matter two before they got engaged? No. Why? Because Rachel actually supported his dreams. Finn wants to run Burt's garage? ok. Finn wants to try to get a football scholarship? Sounds good. Finn wants to come to New York next year? GREAT! Finn wants to marry Rachel? Well... alright, she can get on board with that. But the whole being engaged thing? That changes things. They are now tied together. If they get married, they sort of have to end up in the same place. Before, their dreams were not in competition, and Rachel was more than happy to let Finn do what he wanted.
But now? Remember that Rachel's number one concern in getting back together with Finn was that if she did that, it might ruin her chances to follow her dreams. And Finn assured her that it wouldn't. The only reason she got back together with Finn, a reason that Finn was well aware of, was because they had both decided that Rachel was going to New York no matter what. She was going to follow the dream she'd had since she was an infant.
And then Finn decides they should move to L.A. instead? Anyone who doesn't think Rachel had the right to throw a fit at this isn't watching the same show I am. Finn told Rachel her dreams would come first to get her to date him. He told her that he would go along with her dreams to get her to marry him. Now, he's telling her that his dreams that he has had for two days are more important? Hell, no. If he wants to break so they can go their separate ways, that's one thing. If he wants to take a break or try the long distance thing, that's also fine. If he wants Rachel to give up the dreams he already told her he would support completely, that's not ok. Not at all. And that's exactly what he did in BB.
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Also, it is beyond clear that Rachel tried to sabotage Kurt. She might not have been outwardly bitchy about it, but it was clear from the beginning that "Music of the Night" wasn't Kurt's song. Me told him to sing it so he would bomb, and therefore give her a better chance of making it into NYADA. After his audition, she was happy for him, yes, but she also had an uncomfortable look on her face that had more to do with just her being nervous.
Narrative intent. Glee really isn't a subtle show. If they wanted us to believe that Rachel tried to sabotage Kurt, they would have made it obvious. Instead, they showed the two practicing together. They showed Rachel giving Kurt advice that she was following as well. (ie Go with some big, general audience broadway number that you have been practicing for a very long time.)
And speaking of Glee not being subtle, it was very clear to us as an audience that Music of the Night wasn't Kurt's song. But, Kurt thought he was doing well with it. Blaine thought Kurt did well with it. (And let's be honest. Chris's voice did sound really good in that song.) He has been putting everything into that song, Rachel is not the only person who thinks this song is a good idea and that Kurt is doing well with it. However, we as an audience are meant to be a bit bored with it to highlight the fact that the risk Kurt takes later was CLEARLY the right choice.
As for Rachel's face being a bit more than performance jitters, of course it was. Carmen has just told Kurt that what most impressed her about his performance is that he took a big risk, and Rachel doesn't have anything risky in her performance. Of course she's more than a little nervous about how it's going to be received.
I just think that this "sabotage" can only be seen if you assume it's there in the first place and then look for anything to support that belief. It certainly is not a clear message from what we have been given in the episode.
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Glee was meant to be a soap opera from day one. Degrassi with songs.
Actually, Glee was meant to be a comedy from day one. (Hence the reason it's in the comedy category for awards, even now) It was meant to be a much lighter show than what it has become.
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Which is not a problem by any means. The thing is, the show does in fact fit the soap template. Some people (not necessarily you), refuse to look at it that way because the word "soap" comes with negative or melodramatic conotations. But the fact is, take out the music and that's what Glee is. Which is fine. And as such, Glee, like any other soap, primetime or daytime, deals with a multitude of issues. Yes, sometimes they feel "token" (you have your gay students, lesbian, bisexual, pregnant cheerleader, handicapped students, abused students, etc), but that doesn't mean that these issues don't reflect real life. That said, I do hope they flesh out the Beiste storyline, and take the Karofsky storyline off the back burner (as long as they don't hook him up with Kurt).
The reason "soap" has a negative connotation is that it is only ever used to refer to a very specific genre of daytime television. I think the word you're looking for to describe glee (and also Degrassi) is drama. The two refer to very different genres. (Most notably in the fact that dramas deal with realistic issues, while soaps deal with the fact that Pepe's twin brother, Pepi, was the baby daddy, but he was murdered by Margarit's cousin, who had an illicit affair with Pepe twenty years ago and was just released from jail.) Also, soaps have a negative connotation because the actors on soaps are generally not so great. The actors on dramas? Generally pretty good. So... yeah. I'm just gonna assume you mean drama instead of soap here, and work from there.
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But the fact is, take out the music and that's what Glee is. Which is fine. And as such, Glee, like any other soap, primetime or daytime, deals with a multitude of issues. Yes, sometimes they feel "token" (you have your gay students, lesbian, bisexual, pregnant cheerleader, handicapped students, abused students, etc), but that doesn't mean that these issues don't reflect real life.
I honestly think that glee should be free to handle whatever issues it wants to. Provided glee does so with care and respect for the people who have been through those things and for how complicated those issues really are.
In other words, I'm
not fine with glee tackling these issues, because glee keeps doing it in offensive ways.
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That said, I do hope they flesh out the Beiste storyline, and take the Karofsky storyline off the back burner (as long as they don't hook him up with Kurt).
They're not bringing Karofsky back. If the writers had any intention of actually following up on that story, they wouldn't have transferred him to another school. They wouldn't have moved him away McKinley, the one school we have any investment in, and the show is not going to take the time to follow the story of a guest star at another school just to finish up this story. If they had any investment in it, they would have used a character at McKinley at the very least. They brought Karofsky back for a special, shocking episode, and they're not going to pay him any more attention. (esp this year, seeing as Max Adler was off filming something else during the time the cast was finishing filming the season)
At this point, with the shitty way they've handled Karofsky's character, I'm just hoping he never comes back on the show so that we don't have to deal with that terrible writing ever again.
As for Bieste... I have hope. Bieste isn't a main character, so we're not going to see everything she goes through, but she's a part of the show enough that it would not be difficult for glee to revisit her story several more times. They dealt with Bieste's situation (specifically) well enough. There were some problematic things about how they handled... other aspects of the story line, but considering those problematic things are problematic on a societal level (and also considering glee's history of misogyny) I do think that what we got was the best that we could have hoped for on Glee. And I'm a little nervous as to how they might address this story in the future, but I'm hopeful.