Just Coffee
My latest track:
http://soundcloud.com/justcoffee/imps-are-dancing
This is my first post here and I see myself coming back here in the future. So I figure I should post more politely than I usually do(I'm from the CB you see). I don't get much proper criticism. And by proper, I mean criticism that has actual input other than "i like it" or other. Thought it's always nice to receive praise every now and then.
Other tracks by me:
http://soundcloud.com/justcoffee
Note: Tracks tagged with "vocaroo" are tracks that I've made out of other people's vocaroos from gaia. I made them for fun and didn't really put much focus on them as I would have with the rest of the other tracks. But if you think they're worth criticizing, please do. I welcome it.
Be as critical as you want. I crave it.
Also, if any of you have the time, I'd like your thoughts on something.
I'm currently at that point in music-making where I'm confused which genre to stick to. I mean, I enjoy making electronic dance music. But I also enjoy making and experimenting with genres like rock, pop, soft electro, chill, complextro and dubstep(is that edm too? I'm not really sure).
So if you have the time, it'd be great if you could listen to my soundcloud(all of my tracks if you can), weigh out which genre I seem to be better at, and tell me your personal thoughts on which genre to stick with and why.
Cheers!
yum_tea
Imps: Be careful with your compression; the pad is much louder when the kick is off than even the loudest parts between kicks. The track sort of folds into itself when the kick is going because of the sidechaining. Ideally the sidechain compressor should completely release before the kick hits again.
Better Not Mess: Innocuous enough, although it hits one of my peeves (hey, she's talking about peeves. It's a sign!). Specifically, using vocal samples and ignoring the natural rhythms and cadences of speech.
Noble Step: Not sure if I commented on this one yet. The harpsichord gets a little irritating. Sure, it's the main melody, but it be nice to have longer segments without the harpsichord running. Also a subbass.
Afloat: The melodic synths are too loud; pull the bass and percussion.
Bad Latency: The transition lead-ins are much louder than the following material. It's kind a letdown each time.
Prisoner: Vocal is too loud. Also was the processing necessary? The kick and snare both sound a little low-passed. Blending a clicky hihat into each could fix that.