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Rude comments? 

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Kount Kuro

Redlining is modifying the original picture, and is rude if not asked for. Imagine someone walking into your gallery, spraying paint all over your stuff and saying that it's just to help. What do you say?


I think that you don't understand how Photoshop works if you think that someone redlining an image has any effect on the original file, still in the hands of the original artist.

In fact, I have to wonder if you understand anything at all about computers, really.
 
     
 
yes, it would be rude to go into someone's gallery and spray paint it, but that is not what redlines are. a gallery is not meant for critiquing, it is meant for enjoyment and the artist is not looking for or asking for critiques in a gallery.

if you post your work in the picture post, you are asking for critiques, if you do not say 'please no drawovers', then most people take that as implied consent that helping you in whatever way they can is fine.

and it might be modifying the image, but it is not like people are going onto her computer and made her version of it have to be what they want, they saved a copy and gave some tips, if she does not like it she does not have to change her picture, there is nothing to be upset over or to take offense at.

so yes, she has the absolute right to deny it, but she never did. she did not post in her original posts 'no redlines please' if she had, i bet no one would do any drawovers. so your point is kind of moot.
     
Major Malfunction
Kount Kuro

Redlining is modifying the original picture, and is rude if not asked for. Imagine someone walking into your gallery, spraying paint all over your stuff and saying that it's just to help. What do you say?


I think that you don't understand how Photoshop works if you think that someone redlining an image has any effect on the original file, still in the hands of the original artist.

In fact, I have to wonder if you understand anything at all about computers, really.


Oh I'm sorry, forgot that when you save a jpeg you can turn off layers. Haha clumsy me ^^"
Because of course, if you redline you DO actually enter the person's gallery and spray paint all over their art.
Thanks for the free offense though! =D
 
     
 
Kount Kuro

Because of course, if you redline you DO actually enter the person's gallery and spray paint all over their art.


It was your analogy, not mine.
     
Personally I don't even know why you are discussing who I ban and do not ban. I have my reasons for banning someone, it's not like I just do it on a whim. After all, this is my account and I am in no way effecting how you interact with anyone on this site except for myself.
 
     
 
Nichole le Fae
Personally I don't even know why you are discussing who I ban and do not ban. I have my reasons for banning someone, it's not like I just do it on a whim. After all, this is my account and I am in no way effecting how you interact with anyone on this site except for myself.


The conversation moved past you hours ago, sweetie.
     
Smash the symbols of the Empire in the name of nothing but the heart's longing for grace.
The spray paint analogy fails because in a redline the source file isn't altered at all, where as your example does.

A more correct example would be someone putting a protective sheet over the artwork and THEN spray painting. Because then the original is still preserved, as it is in a redline.

Because, to say it again, a redline does not alter the original artwork. Unless they were to break into the other person's computer and actually alter the source file as saved on their computer. Which would be down right silly, now wouldn't it? biggrin

By posting your artwork in the Picture Post you are asking for critique. It's stated in the rules. A redline is a form of critique, just a visual one. Your analogy is wrong on another level, as no one went into anyone's gallery. The artwork was posted in a forum--not in a gallery--when it was lined.
 
     
 
Wow. I haven't posted here in a very long time. Didn't bother to read the entire conversation. Just catching the last page or two....

The attitudes here sure have changed a great deal, it seems. Especially regarding red-lining. It used to be considered incredibly rude to do it if unasked for. The courteous thing to do is to ask the artist for permission before doing it. IMO (and obviously many here seem to disagree, but I feel pretty strongly about it), red-lining crosses the (excuse the pun please) line from helpful suggestion to vandalism. It has nothing to do with whether or not the original is destroyed. That's not the point. You're still drawing over someone else's work, possibly against their wishes.

But then again, I've always felt that red-lining is a poor way to learn. It's a very lazy way to critique. It does not engage the artist in critical thinking in the way a written critique will. It doesn't allow the artist a chance to figure things out by trying to See for themselves. Learning to See with an artist's eyes is a huge part of learning how to draw. By red-lining, you harm that process.

Even if you disagree and feel that red-lining is a good learning tool, there are still potential problems. The person doing the redlining is often imposing (whether they realize it or not) their own stylistic choices onto the "correction". I've seen that more often than I'd like, and these stylistic choices don't always mesh with the style of the artwork being critiqued. Also, many red-lines I've seen are anatomically flawed. If an artist is going to go so far as to red-line, then he should at least make sure that his own anatomy skills are up to snuff. It's irritating to see red-lines with obvious mistakes in them. Those do far more harm than good.
     
hakubaikou
You're still drawing over someone else's work, possibly against their wishes.


In this case the artist can say that he/she doesn't want redlines in the first post. Of course there can be people who red-line the picture ignoring -or not reading- what the artist said, but this is another thing.

hakubaikou

But then again, I've always felt that red-lining is a poor way to learn. It's a very lazy way to critique. It does not engage the artist in critical thinking in the way a written critique will. It doesn't allow the artist a chance to figure things out by trying to See for themselves. Learning to See with an artist's eyes is a huge part of learning how to draw. By red-lining, you harm that process.


In my opinion this depends on the artist's will. They may think "Why learning anatomy when I can post my pictures on the forum, get people red-line them and eyeball corrections?" but they may even think "Uhm, so I've always drawn the arms too long... I should pay more attention, hell I should learn anatomy!".

I think that If an artist isn't willing to think critically it doesn't matter if you red-line the drawing or write a perfect critique.

I don't pretend I'm right, I don't have enough experience about critiques and I'm sure as hell I'm not an artist.

hakubaikou

The person doing the redlining is often imposing (whether they realize it or not) their own stylistic choices onto the "correction". I've seen that more often than I'd like, and these stylistic choices don't always mesh with the style of the artwork being critiqued.


I understand what you mean, but it's kinda inevitable; I like to think that an artist is able to ignore some stylistic choices that don't belong to him/her and to his/her style though.
 
     
 
hakubaikou

Even if you disagree and feel that red-lining is a good learning tool, there are still potential problems. The person doing the redlining is often imposing (whether they realize it or not) their own stylistic choices onto the "correction".


This is also true, though less obvious, in written critiques. All critiques, it doesn't matter who it's from or what form it's in, should be taken as suggestions and not as Holy Word. Humans are human and thus fallible, no matter how experienced. I've seen written critiques corrected by someone other than the one who posted it several times. It just happens.
A critique is meant to make the artist think and to get them to see their work in a different light in the hopes that they'll catch on what they need to fix and improve upon and that they'll defend that which doesn't need fixing or improvement.
As someone else pointed out, most artists are visual learners, after all art is a right-brained activity and the right brain is the strongly visual side. For a lot of artists written word doesn't explain nearly as well as an image does.

I'll say again, no critique, drawn or written, is the be all and end all. Mistakes are expected and the artist shouldn't be so blind as to follow every suggestion they see to a T. Free thought is valuable, use it.

(As a side note, every drawing class that I've been in, the instructors will draw directly on your work. Only the polished, end pieces get saved this treatment.)
     
Zeberapoop
devils I know
Ugh. Seriously? I really hate people who give a laundry list of faults and don't give suggestions on how to fix them--but your attitude really doesn't lend to people actually wanting to help you.

-not targeted at you ofc-
And I hate people who are too lazy to think by themselves.
I give "laundry lists", and if the person I'm talking to is intelligent enough to know how to post their art online, then they should have enough BRAINZ to figure out that if I say "She's just too thin" it probably means I suggest to make her look fatter.

OP:
It's because your pictures are bad anatomy-wise. And you pull the "it's mai style!" excuse, which proves nothing except the fact that you're not mature enough to recieve anything except asspats.

And really, what the ******** is this "omfg ur jealous!" thing? Your art is nothing above the level of a middle-schooler who draws once a week during classes. I've seen people draw better with their feet, so really, don't get so full of yourself.

Conclusion?
Quit crying and learn to ******** draw instead.


WHY YES, I'M AN a*****e. But people like you just make me angry. Tee-hee.


rofl You realy like to mean...hum zeebraaaaa^^
 
     
 
Talen Robotnik
In this case the artist can say that he/she doesn't want redlines in the first post. Of course there can be people who red-line the picture ignoring -or not reading- what the artist said, but this is another thing.


If you're doing something that is potentially offensive, I think it's up to the critiquer to ask for permission, not for the artist to have to list a bunch of Do's and Don't Do's in their first post. I realize that posting in Picture Post automatically means that critiques should be accepted. But many artists view red-lining as a step beyond that.

In everyday society, if you want to do something that might cause offense, you ask first. "Mind if I smoke?" "Mind if I answer this call really quickly?" "Should I take my shoes off in your house?" You don't meet someone and expect them to say upfront, "Hello! Just a few rules first..." I just view it simply as an act of courtesy.

Talen Robotnik

In my opinion this depends on the artist's will. They may think "Why learning anatomy when I can post my pictures on the forum, get people red-line them and eyeball corrections?" but they may even think "Uhm, so I've always drawn the arms too long... I should pay more attention, hell I should learn anatomy!".

I think that If an artist isn't willing to think critically it doesn't matter if you red-line the drawing or write a perfect critique.


Oh, I'd agree with you there. The artist has to want to think critically, absolutely.

But say I was an artist who did want to try to figure things out for myself. And someone comes and red-lines my work without me asking for it. I see the red-line. And it's too late. They've shown me the solution before I could work it out on my own. They've just taken the choice away from me.

Most sites I've been to, it's been standard to ask before doing anything like red-lining. It used to be that way at Pic Post too, but I haven't been there in forever, so I don't know if things have changed.

Talen Robotnik

I understand what you mean, but it's kinda inevitable; I like to think that an artist is able to ignore some stylistic choices that don't belong to him/her and to his/her style though.


Do you mean kinda inevitable with red-lining or critique in general? I think it's more apparent in red-lining, which is why I don't like it and would never ask for it at Gaia. And it's why I'd be angry if someone did want to red-line my work without asking.

As for whether or not an artist can ignore stylistic choices, that depends in part on the skill of the artist. I think beginners are less likely to be able to see the difference since they haven't developed their artist's eye just yet.

-------


Eejbeej
This is also true, though less obvious, in written critiques. All critiques, it doesn't matter who it's from or what form it's in, should be taken as suggestions and not as Holy Word. Humans are human and thus fallible, no matter how experienced. I've seen written critiques corrected by someone other than the one who posted it several times. It just happens.
A critique is meant to make the artist think and to get them to see their work in a different light in the hopes that they'll catch on what they need to fix and improve upon and that they'll defend that which doesn't need fixing or improvement.
As someone else pointed out, most artists are visual learners, after all art is a right-brained activity and the right brain is the strongly visual side. For a lot of artists written word doesn't explain nearly as well as an image does.

I'll say again, no critique, drawn or written, is the be all and end all. Mistakes are expected and the artist shouldn't be so blind as to follow every suggestion they see to a T. Free thought is valuable, use it.

(As a side note, every drawing class that I've been in, the instructors will draw directly on your work. Only the polished, end pieces get saved this treatment.)


I agree with you.

Unfortunately, while it's true in theory, it often doesn't happen in practice. Especially at a place like Pic Post in which many of the artists (and a few of the critiquers) are at a beginner level. All too often I see kids taking critiquers' word as ultimately correct. Even when the critiquers are flat out wrong. They trust the critiquer and they don't yet have the skills they need to actually see the errors just yet.

IMO (and I admit it's just my opinion) a red-line tends to show the critiquer's biases and errors much more than a written critique would. It's why I really don't think an artist should red-line unless they're at an advanced level themselves.

As for learning in a class, that's a different situation. The person doing the red-lining is a professional teacher. I would assume they have the skills. And they would be more aware of imposing style onto the work and try to avoid that. And the people learning from them are serious about their art and hopefully have learned to trust in their own eyes first and evaluate whether or not their teacher is giving good advice or not. Pic Post is a far cry from a proper art class, I would think.

And even if one feels that red-lining is a great way to learn, IMO, one should still ask before doing it to someone else's work. That was my main point, really, that people should simply ask.
     
@Hakubaikou
The thing about redlines is that it sometimes help explain something that the critiquer have a hard time expressing in words. I for one use it regularily to try to help explain what I mean with what I write.

Why?

Because English is my second language, I do not possess the vocabulary to explain everything I want to have explained. Thus I use Redlines and arrows to explain what I mean.

Not everyone has the vocabulary to make a helpful words only critique, be it for lack of education in the matter or for reasons such as my own.

Have that in mind.
 
     

Do not ask me for art, I won't draw you.
Gaian for 6 years and 4 months.
My DA.
http://omegasama.deviantart.com/
 
Touché. ^_^ You've got me there. Although I still think it'd be proper to ask first.

BTW, nice to see you again.
     










Anyone else feel that this thread has gotten bloated and ridiculous?
 
     
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