God-the-almighty
- Quote
- Posted: Sun, 12 Feb 2012 00:17:35 +0000

Now I've never done this but for some time I've been interested in making my own paints. Specifically egg tempura but I have considered inks and oils. Have any of you thought about the pigments that went into the art you see in museums? I'd be interested in hearing about your experiences. I guess the first time I thought of this was when I experimented with glazes in ceramics. I figured out how to make a glaze look metallic, like pewter and learned about the different metals used in glazes. Like egg tempura, the preapplication/firing color of a glaze differs from the final result. For instance cobalt fires to a deep blue but it's a pale lavender before firing. We also used to do something called garbage firing where organic garbage was used to make effects on ceramics in the glaze firing. I also remember helping my mom make natural dyes for her homespun yarn. One example of this is onion skins make for a yellow dye so finding natural pigments works for textiles too.
Does this make you respect these artists more to compare them to what we do now? Do you appreciate some of the work being done for you?
Egg tempura
Basic recipe
Glaze chemistry
Natural pigments
Natural dyes
natual dyes from plants
The art history thread reminded me of this subject. This is one way that the past influences the present.