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Selling at Cons is best during the...

Spring 0.11608391608392 11.6% [ 83 ]
Summer 0.3034965034965 30.3% [ 217 ]
Fall 0.06993006993007 7.0% [ 50 ]
Winter 0.053146853146853 5.3% [ 38 ]
Any time! 0.45734265734266 45.7% [ 327 ]
Total Votes:[ 715 ]
I've not used one myself, but I seem to remember hearing negative reviews earlier in the thread.
Badge A Minit is cheap. You certainly get what you pay for. My friend and I have one, and our fail/unsellable rate is probably 80-90%. It's pretty terrible. :/
A button machine is a good investment. I really wish we'd just been patient and saved up for a good one.
By all that is holy, don't get a Badge-a-Minit machine >.<

Yes, a real buttonmaker can be more expensive, but you'll almost never lose one. I don't have one myself, but I've borrowed one from a fellow artist, and it took me almost no time or effort to whip out about 150 buttons, without a single bad one in the batch. smile

Edit: Capcha, I HATE you. stressed
Oh! Right there's a guild... sweatdrop I'll go post!

Anyway, the scotch laminator can laminate pouches up to 9'' wide and I guess whatever length you can find your pouch at... o_o;
Kitsune_rei's avatar
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If you can't afford a button maker, I'd just get them made. Better than getting a crappy button maker and pretty cheap. I don't want to mess with making my own buttons since I don't have a good printer anyway and I imagine it does take a good amount of time to do just for something you're going to sell pretty cheap.
I've heard MOD buttons and Busy Beaver are both good. Beaver has more sizes. I think both are ok with fanart. I plan on going with MOD when I get some more money to put in an order. I wanted to fix up my designs some too, spruce em up with some background color. Both have directions how to set up your images for them. They were recommended on another Artist Alley forum.
http://www.poseurink.com/modbuttons/pricing.html
http://www.busybeaver.net/
Kitsune_rei's avatar
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Vicemage
Kitsune_rei
(I actually have started getting cel phone #s from people I do commissions for now anyway, because its nice and easy to shoot them a text or quick call when its ready for pickup 3nodding Then I'm also less pressured to try to have it done in the approximate time I gave.)

I collect them from people for a slightly different reason... I've had a couple of instances where someone's requested a commission from me, then for one reason or another has had to unexpectedly leave the con early, without coming to pick up the commission they've already paid for. With a phone number or email, I can contact them again and send them their completed drawing.


That's a good reason too 3nodding I've never had that happen, but you never know. If they vanish, hoping they'll be able to find you later online is kinda doubtful.
Kitsune_rei's avatar
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DarKlawStudios
I think any sort of raffle will inevitably have logistic problems to work out. I'll ask on the con's forum if it's allowable.
What I had been thinking was a free ticket if they bought something, then selling tickets for 50 cents or 3/$1 or something.

Well, the laminate machine I noticed was Scotch brand and $27. I'll poke around and see if I can find any user reviews / complaints.

Hm, I might be able to offer marker colored commissions in a cel-style (since I'm still working on the blending bit) but I'm a bit wary about hauling around $130 worth of Prismacolors. sweatdrop
Anyone had issues carrying around expensive-ish supplies?


That sounds good for the raffle.
I don't use markers, though I always take my set of Prismacolor pencils, they're not worth as much. I would think people would be more likely to take merchandise so I wouldn't worry about it too much. Just don't leave your stuff unattended etc like with anything else.
Since the good button machines are fairly expensive for people just starting out, you might want to consider posting in the convention's artist alley forum section to see if any of the other attending artists will do buttons on order for you. This is how I did my first set of buttons for my very first artist alley. It doesn't hurt to ask. ^^ Otherwise, you can try out some of the companies mentioned above.
Thank you so much for the helpful response! OTL heart I definitely know what I'm going to do now. (not use BAM XD) 3nodding
Probably the best thing for me to use is ordering my buttons through a company, since I'm just starting out. P:
Be sure to ask other artists who plan to go to the con, first. Most companies charge quite a bit for custom buttons. D:
Here's a few general tips from me from my AA FAQ xd (The full thing is about twice as long)

PREPARATION
Consider your market
What sort of products will you be selling, who do you expect will want to buy it, and how popular do you think it will be? Balancing the budget-book and being confident in your sales are important things; the market for selling cosplay accessories or badges will be different from the market for a Naruto Doujinshi, which in turn will be different from the market for an original artwork or publication.

As a general tip, cute, cheap and accessible merchandise sells well. Things such as badges, accessories, postcards and bookmarks are always popular because they're fun and inexpensive for the consumer. Fanart generally sells better than original art because the customer has already developed an attachment for that series or character. However, fanart relies on fanbases, so expect fanart from big popular series to move faster than an obscure niche title. Original artists fear not, for there is always an appreciation for great original artworks. If you're unsure what people would want to buy, a little market research never hurt. Ask around on convention and other online forums for feedback and advice.

Budget
The main priorities for your budget will be: a) the cost of the convention and table space itself, b) printing costs, and c) working out what kind of margin you can afford on your goods. It also helps to plan a guide of how much you need to sell in order to break even, and keep track of your sales during the convention. Remember, a lot of that cashflow on the day is covering costs you have already outlayed. Avoid the temptation to spend the cash in front of you unless it's profit.

Setting prices for your goods can be fickle; some customers may buy it at whatever the cost, but you should consider precedents set by other artists, the quality of your work, comparable merchandise prices, production costs, and the spending budgets of the people who are most likely to buy your products. Avoid underselling yourself; do what you feel is reasonable to yourself and the customer.

PRINTING
The basics – DPI and CMYK
DPI is 'Dots/pixels per inch' and refers to the resolution quality of an artwork. 300 DPI is the standard minimum for print design. This is important because it's really hard and time consuming to scale a picture UP for print quality. Therefore, it is always prudent to work at a high resolution for artworks that you want to print. An A3 picture at 300 DPI is roughly 3500x5000 pixels, whereas the average size of an image you put on the internet isn't going to be more than 1000 pixels in any one dimension (Around 72 DPI).

CMYK is Cyan, Magenta, Yellow and Black (Key). Unlike monitors and televisions which emit light and output to RGB (Red, Green, Blue), CMYK is an absorption of light on a surface. It's the colour method used by printers, and importantly, there are some colours which RGB can project but CMYK cannot (Such as extremely saturated colours). This can create problems when you go to print pictures from your computer, only to find they look duller on paper. This is most likely because your file is in RGB and some of the colours are outside of the spectrum of CMYK. For this reason it is important to either work with your files in CMYK, or save them as CMYK before you send them off to get printed. The option for changing colour format in Photoshop is listed under 'Image' -> 'Mode'

THE DAYS BEFORE

Get monies
And not necessarily of the spending kind. It is important to organise sufficient change for patrons; banks can easily provide you with bags of coins. Do this beforehand, as you will not be able to go to the bank on the day of the convention. Gold coins and small notes are the most important, but it's also good to have a buffer for when someone has a fifty dollar note to break.

Make sure you have what you need
Print off/write up any price lists and signs beforehand, as well as making sure you have all the equipment you need for sticking up said signs and display prints. Most fabric backing boards hate bluetac and stickytape; masking tape is your friend in this department. Invest in a box of rubberbands and consider how you are going to organise your notes and coins on the day (Cashbox, tin, waistpouch, pencilcase, etc...). Unless you're going to bolt it to the table, it's probably not worth investing in anything fancy to hold your money. Something inconspicuous and easily taken with you is often best.

Also know how much space you will have at your table in terms of organising your display. If you have a half-table and want to put postcards, badges and a display folder for your prints, it makes more sense to have an A4 folder, not an A3 one.

Plan how you'll get you and your stuff there
The last thing you want is to be half an hour late for the opening of the convention, or get stranded in the middle of nowhere on the wrong bus with several kilos of prints and folders hanging off one arm. Bump-in times will be advised by the convention organisers, but you will need to get there at least half an hour before opening in order to set up your table. Get some sleep, eat something for breakfast, and make sure you know how you're going to get to the convention. And importantly, how you'll get your stock there.

ON THE DAY

Eat!
This should not be understated! You would be surprised how easy one can forget to, well... eat food of substance when sitting at an Artist table. Especially on the first day, you'll have to get an early start in order to be at the venue on time to set up your table. So you're looking at a full day from 7am wake-up to 6pm pack-up. And unless you have a friend who can cover for you at length, chances are you'll be spending a lot of time at your table. Therefore I advise you to bring a trusty old bottle of water, something to snack on, and plan a time to take a break and eat a good solid meal. Artists cannot survive on Ramune and Pocky alone.
No offense meant, Sweet Fofo... that was unexpectedly useful. smile Usually around this place when someone comes charging in with a list of "tips" they're half-assed at best and usually detrimental to anyone who might take them, but overall, yours are good.

One caveat is the bit on fanart. Yes, fanart sells better due to the built-in fanbase, however, more and more conventions are cracking down on fanart sales and limiting their presence in Artist Alley in favor of more original work. So it's not a good idea to base your entire presence on fanart, especially flavor-of-the-month fanart, because what's popular this month might not be popular next month. For what little "fanart" (charms) I do, I've found that some of the older and odder sells as well or better than the FOTM stuff. Vash and Rorschach are two top sellers. smile
I'm living with false hope

And my eyes just want to see a ray of light

I'm gonna find it in my fairy tale...

Are cons more or less likely to kick you out for selling fanart prints or, say, a doujin? Because my friend and I are planning on making a long fancomic and maybe selling some of it in print at cons... is that worse than just... fanart? The series in question is Code Geass, if that makes a difference...
Kaxen's avatar
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All I know is that companies will get pissed off if you utilize the official logo of whatever you're fanarting.

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